‘These drawings are non-figurative and intensely physical works - marks of a sort of choreography with the mind and body engaging as one. Those entitled Rain, a ... series in which the paper is scored with a thicket of vertical incised lines, again mark the parameters of the arm’s reach, creating an enigmatic spatial field for the eye somewhere between two and three dimensions.’
Extract from Martin Caiger-Smith, ‘Clearing Drawings’, in Antony Gormley, London: Royal Academy, 2019, p. 168
