Antony Gormley

1992

  • Enrico Gallian, 'I contenitori dell'ignoto', L'Unita, Rome, Italy, 26 December 1992

  • Cecilia Casorati, 'Emozioni di piombo', Avvenire, Rome, Italy, 15 December 1992

  • Author Unknown, Nikkei, Tokyo, 14 December 1992

  • Author Unknown, Sankei, Tokyo, 7 December 1992

  • Author Unknown, Asahi, Tokyo, 4 December 1992

  • Giuditta Villa, 'La testa di Antony Gormley e altri scultori in mostra', Il Piacere dell'Occhio, Rome, Italy, 3 December 1992

  • Robert L. Pincus, 'Gormley's engaging vision of humanity takes many forms', San Diego Union-Tribune, San Diego, USA, 12 November 1992

  • Torstein Finnbakk, 'Stalskulptur knytter Mo i Rana til sjoen', Rana Blad, Mo I Rana, Norway, 10 November 1992

  • 'Learning to think', Newsletter, The British School at Rome, November 1992

  • Kenneth Baker, 'Big theme, tiny figures in San Diego', San Francisco Chronicle, San Francisco, California, USA, 26 October 1992

  • Gunvor Gjessing, 'Landskapet som skulpturgalleri', Aftenposten, Oslo, Norway, 25 October 1992

  • Susan Freudenheim, 'Contemplative spectacle', Los Angeles Times, Los Angeles, California, USA, 17 October 1992

  • David Pagel, 'Gormley's sculptures get physical', Los Angeles Times, Los Angeles, California, USA, 8 October 1992

  • Robert L. Pincus, 'Sculptor with earthly world view', San Diego Union-Tribune, San Diego, California, USA, 8 October 1992

  • 'Museum Exhibitions', La Jolla Light, San Diego, California, USA, 24 September 1992

  • Vera Isachsen, 'Ranfjorden blir en del av skulptur landskapet', Nordlandposten, Bodo, Norway, 1 August 1992

  • Hans Trygve Holm, '10 meter jernmann til Rana', Rana Blad, Mo I Rana, Norway, 31 July 1992

  • Paul A. Sanchez, '35 mil figurillas de Barro Conforman la Exposicion Campo', Cultures, Mexico, 15 June 1992

  • Author Unknown, '"Arte Amazonas" e resultado de workshop', Folha de Sao Paulo, Sao Paulo, Brazil, 5 June 1992

  • Author unknown, 'A visao estrangeira da floresta', Jornal do Brasil, Rio de Janiero, Brazil, 4 June 1992

  • James Brooke, 'Arts invade Rio for the Earth Summit', The New York Times, New York, 1 June 1992

  • Mauro Dias, 'A Amazonia sob o olhar estrangeiro', Estasdo de Sao Paulo, Sao Paulo, Brazil, 29 May 1992

  • Allan Kozinn, 'A calm after the storm at Spoleto?', New York Times, New York, USA, 17 May 1992

  • Author Unknown, 'Workers keep feet on ground over sculpture', Express and Star, Birmingham, 25 April 1992

  • Author Unknown, 'Casting an eye over a Vision', The Birmingham Post, Birmingham, England, 25 April 1992

  • Gunter Metken, 'Trauer und Risse im Atelier der Tropen', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 10 March 1992

  • Raquel Tibol, 'Edgar Negret y Antony Gormley en Mexico', Proceso 801, Mexico, 9 March 1992

  • Lorna Scott Fox, 'Sembrar hombres', La Journada Semanal, Mexico, 6 March 1992

  • Francesca Borrelli, 'Oriente mon amour', Wimbledon no.23, Roma, Italy, March 1992

  • Author Unknown, 'Las cosas ya existen. La escultura ya existe', Poliester, Mexico, March 1992

  • Luis Carlos Emirich, 'Un dia de Campo con Antony Gormley', Novedades, Mexico, 28 February 1992

  • Author Unknown, 'Hombres y mujeres del futuro', El Planeta, Mexico, 24 February 1992

  • Author Unknown, 'Means of expression and source of joy', The Hindu, Bangalore, India, 14 February 1992

  • Author Unknown, 'Ingles quer populacao de PV morando no mato: preservacao', Alto Madiera, Porto Velho, Brazil, 12 February 1992

  • Monica Mayer, 'Las grande instalaciones de Rheinsberg y Gormley', Universal, Mexico, 2 February 1992

  • 'Field', The British Council Mexico Newsletter, Mexico, February 1992

  • Carlos Ocampo, 'Un cuerpo colectivo denominado', Activa, Mexico, February 1992

  • Merry MacMasters, 'Instalacion de Antony Gormley', El Nacion, Mexico, 31 January 1992

  • Marta Jakimowicz-Karle, 'Combining beauty with utility', Deccan Herald, India, 31 January 1992

  • Author Unknown, 'Der eiserne Gormley', Frankfurter Rundschau, Frankfurt, Germany, 29 January 1992

  • Sumitra Kumar Srinivasan, 'Expressions in clay', The Hindu Magazine, India, 26 January 1992

  • Author Unknown, 'Wide and impressive range of ceramics', The Hindu, Madras, India, 10 January 1992

  • Eugene Rosenberg and Richard Cork, 'Architects choice', Thames & Hudson Ltd, London, 1992

  • Author Unknown, El arte diverte, Revista Somos, Centro Cultural Arte Contemporaneo, Mexico City, January/March 1992

  • Jonathan Saville, 'Body Experiences', Reader Art, San Diego, California, USA, 1992

1991
  • Anupa Mehta, 'Of the same earth, pot and potter', The Independent, India, 19 December 1991

  • Niyatee Shinde, 'The language of ceramics', Indian Express, 7 December 1991

  • Nandita Chaudhuri, 'A display of clay', The Times of India, 7 December 1991

  • Jane Rankin-Reid, 'On the verandah', Artscribe no.39, London, England, November/December 1991

  • Robert Taplin, 'Antony Gormley at Salvatore Ala', Art in America, New York, USA, November 1991

  • Shuddhabrata Sengupta, 'Colours of the earth', Sunday Mail, New Delhi, India, 20 October 1991

  • Janet Tyson, 'Gormley's 'field' of figures magically moving', Fort Worth Star-Telegram, Fort Worth, Texas, USA, 15 October 1991

  • Daniel Birnbaum, 'Kropp uppat vaggarna', Expressen, Stockholm, 5 October 1991

  • Janet Kutner, 'Figuratively speaking', The Dallas Morning News, Dallas, Texas, USA, 28 September 1991

  • 'Preview: Sculptor Antony Gormley', Datebox 16, Texas, USA, 20 September 1991

  • Author Unknown, 'Here's one, and two and...', The Dallas Morning News, Dallas, Texas, USA, 20 September 1991

  • Author Unknown, 'Giant visions', The Times, London, England, 20 September 1991

  • Janet Kutner, 'Museums and Art Preview', The Dallas Morning News, Dallas, Texas, USA, 20 September 1991

  • Author Unknown, 'Artist's feat of clay will go on display', Fort Worth Star-Telegram, Fort Worth, Texas, USA, 18 September 1991

  • Lars O. Erricsson, 'Klafsigt malade traramar och blykroppar', Dagens Nyheter, Stockholm, 17 September 1991

  • Gertrud Sandqvist, 'Manniskan som blykista', Svenska dagbladet, Stockholm, 14 September 1991

  • Terry Grimley, 'Vision of latest city sculpture', The Birmingham Post, Birmingham, 14 September 1991

  • Author Unknown, 'Vision of beauty: City says "yes" to TSB gift', Birmingham Evening Mail, Birmingham, England, 13 September 1991

  • Author Unknown, 'Bank's Vision at their new HQ', Wolverhampton Express and Star, Wolverhampton, England, 13 September 1991

  • Thomas Padon, 'Antony Gormley: Salvatore Ala, New York', Sculpture Magazine, Washington, USA, September/October 1991

  • Sylvia Netzer, 'Antony Gormley's Field', American Ceramics Magazine, vol.9, USA, Fall 1991

  • Jane Hart, 'Interview with Antony Gormley', Journal of Contemporary Art, vol.4 no.3, New York, USA, Fall 1991

  • Arthur C. Danto, 'Spoleto Festival USA', The Nation, New York, 29 July - 5 August 1991

  • Barry Schwabsky, 'Antony Gormley', Arts Magazine, New York, Summer 1991

  • Elaine Bresler, 'Old jail exhibit truly artistic', Letters to the Editor, Charleston News and Courier, Charleston, South Carolina, 23 June 1991

  • Richard Maschal, 'Why all the fuss?', The Charlotte Observer, Charlotte, South Carolina, 9 June 1991

  • Scott Gutterman, '"Places with a past" opens in Charleston', The Journal of Art, Washington, DC, June/July/August 1991

  • Kristina Montvidas-Kutus, '"Places with a past" tries to make sense of chaos', Charleston News and Courier, Charleston, South Carolina, 30 May 1991

  • Michael Brenson, 'Visual Arts join Spoleto Festival USA', New York Times, New York, 27 May 1991

  • Robert Holden, 'Irish stew', Building Design, London, 3 May 1991

  • 'Antony Gormley', The Print Collector's Newsletter, USA, May-June 1991

  • Robert Jones, 'I may not know art, but I know what I like', Charleston News and Courier, Charleston, South Carolina, 29 April 1991

  • Kay Larson, 'Mixed Messages', New York Magazine, New York, 15 April 1991

  • 'Art: galleries: Antony Gormley', The New Yorker, New York, 8 April 1991

  • Bruce Smith, 'Visuals of Spoleto Fest: jail freed, city as canvas', Washington Times, Washington, DC, 8 April 1991

  • Bernard Marcelis, 'Expositions: Bruxelles: Antony Gormley', Art Press, Paris, France, April 1991

  • George Bacon, 'Picasso's Parade, drawings from Titian to Johns', The Art Newspaper, London, April 1991

  • Michael Brenson, 'Antony Gormley: Salvatore Ala Gallery', Weekend, The New York Times, New York, 29 March 1991

  • Kim Levin, 'Choices: Antony Gormley', Village Voice, New York, March 1991

  • David Lillington, 'Art: Preview', Time Out, London, 27 February 1991

  • Roger Bevan, Il Giornale dell'Arte, Turin, Italy, February 1991

  • Mary Rose Beaumont, 'Living bodies', Galleries Magazine, London, England, February 1991

  • Author Unknown, 'Antony Gormley, Present Time', Newsletter of the National Galleries of Scotland, Edinburgh, Scotland, February 1991

  • Roger Bevan, 'Around the galleries: London', The Art Newspaper, London, February 1991

  • 'Up to date display', Glasgow Herald, Glasgow, Scotland, 24 January 1991

  • Tim Hilton, 'Critics choice', The Guardian, 23 January 1991

  • Andrew Graham-Dixon, The Independent, London, 22 January 1991

  • David Kusin, 'Sculptor's range reveals intimacy on a grand scale', Times Herald, Dallas, Texas, USA

  • Carl-Fredrick Harleman and Erik van der Heeg. "Concentrated spaces", Material Konst-fanzine no.2, Stockholm, 1991

  • Author Unknown, 'Koncentrerade rymder', Bulletin no.4, Moderna Museets Vanner, Stockholm, 1991

1989
  • Michael Brenson, 'A Sculptor Who Really Gets Into His Work', The New York Times, 7 May 1989

  • Geraldine Prince, 'A plastered sculptor', The Independent, 2 May 1989

  • Clive Turnbull, 'Antony Gormley: The Impossible Self', The Green Book, Vol.111, No. 1, 1989

  • Simon Robinson, 'Making Me Another', ISIS, The Oxford University Magazine, 1989

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