Antony Gormley

1994

  • Adrian Searle, 'We know you're in there'. The Independent, 4 November 1994

  • Angella Johnson, 'Man of iron forges hard image in the name of art', The Guardian, London, England, 2 November 1994

  • Author Unknown, 'Tate unveils entries for Turner Prize', The Times, London, England, 2 November 1994

  • Dan Conaghan, 'Artists bend over backwards to keep prize controversial', The Daily Telegraph, London, England, 2 November 1994

  • Robin Stringer, 'An about-Turner?', Evening Standard, London, England, 1 November 1994

  • Acta Orthopaedica Scandinavica vol.65 no.5 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, October 1994

  • D. Vidovic, 'Krik za savjest covjecalistva', Oslobocyeiye, Sarajevo, Bosnia, 27 September 1994

  • Author Unknown, 'En havmann til glede', Rana Blad, Mo i Rana, Norway, 23 September 1994

  • Geir Pedersen, 'Havmannen setters pa plass', Rana Blad, Mo i Rana, Norway, 22 September 1994

  • Jane Rankin-Reid, 'Air and Angels', Art and Text no.49, Melbourne, Australia, Autumn 1994

  • David Whetstone, 'A little bit of heaven in Gateshead', Northern Review, Autumn 1994

  • P. Szues Julianna, 'Valodi diszletek a Varban', Nepszabadsag, Budapest, Hungary, 27 August 1994

  • Horanyi Attila, 'Harmincotezer agyagfigura', Magyar Narancs, Budapest, Hungary, 18 August 1994

  • Zsofia Horvath, 'Silent figures speak', The Budapest Sun, Budapest, Hungary, 11-17 August 1994

  • Author Unknown, 'An exhibit for the world', Budapest Week, Budapest, Hungary, 4 August 1994

  • Marianne Schei Aagdal, 'Havmann i granitt' Harstad Tidende, Harstad, Norway, 30 July 1994

  • David Mills, 'The glare of publicity coming to the four', The Sunday Times, London, England, 24 July 1994

  • Jonathan Cooper, 'Feat of clay leads the way', The Daily Express, London, England, 22 July 1994

  • Siposs, 'Agyagcivilek', Respublika, Budapest, Hungary, 22-28 July 1994

  • Victoria White, 'Derry artist on Turner shortlist', The Irish Times, Dublin, Ireland, 21 July 1994

  • Susannah Herbert, ''Real' art is back in fashion as Turner Prize jury makes a break with oddball tradition', The Daily Telegraph, London, England, 20 July 1994

  • James Cusick, 'L20,000 Turner Prize attracts shortlist', The Independent, London, England, 20 July 1994

  • Louise Jury, 'Body moulder builds big lead in Turner Prize line-up', The Guardian, London, England, 20 July 1994

  • Robin Young, 'Tate selects mixed bag for Turner shortlist', The Times, London, England, 20 July 1994

  • Author Unknown, 'Csirkekelteto a galeriaban', Nepszabadsag, Budapest, Hungary, 8 July 1994

  • Author Unknown, Magyar Hirlap, Budapest, Hungary, 6 July 1994

  • Author Unknown, 'Anyaga az agyag', Esti Hirlap, Budapest, Hungary, 6 July 1994

  • Nakamura, Revue de la pensee d'aujourd'hui vol. 22-14, Tokyo, Japan, July 1994

  • Toomas H. Liiv, 'Antony Gormley teab vastust', Puhapaevaleht, Tallinn, Estonia, 25 June 1994

  • Luke Clancy, 'Avoiding the post-modern trap', The Irish Times, Dublin, Ireland, 9 June 1994

  • Geir Pedersen, 'Havmannen hugges av grunnfjell', Rana Blad, Mo i Rana, Norway, 4 June 1994

  • Paul O'Brien, 'Antony Gormley: Irish Museum of Modern Art, Dublin', Circa, Dublin, Ireland, Summer 1994

  • Dalibor Blazevic, 'Ozivljavavje otudenih bica', Gradski Vodic, Croatia, June 1994

  • Sandra Krizic Roban, 'Nova Kolektivnost', Danas, Croatia, 31 May 1994

  • Vesna Kusin, 'Oci u oci', Vjesnik, Croatia, 31 May 1994

  • Zeljko Kipke, 'Prica o voajeru', Vijenac, Croatia, 26 May 1994

  • Author Unknown, 'Toliko ljudi - a nigdje covjeka', Vjesnik, Nedjelja, Croatia, 22 May 1994

  • Gerard Pernon, 'Antony Gormley: l'art invite a jouer', Ouest-France, Rennes, France, 20 May 1994

  • Author Unknown, 'Skulptura Iznutra', EM no.3, Croatia, 15 May 1994

  • Darko Glavan, 'Mi mozemo biti biljka ili oblak", Nedjeljna Dalmacija, Croatia, 11 May 1994

  • Vesna Kusin, 'Europsko polje savjesti', Vjesnik, Zagreb, Croatia, 5 May 1994

  • Iain Gale, 'A voyage to Lilliput', The Independent, London, England, 3 May 1994

  • Erik van der Heeg, 'Reviews: Antony Gormley: Nordenhake, Stockholm', Flash Art, Milan, Italy, May/June 1994

  • Tihomir Milovac, 'Antony Gormley', Kontura no.27, Zagreb, Croatia, May/June 1994

  • M. Havlicek, 'Gledaju vas oci covjecanstva', Koncarevac, Croatia, May 1994

  • Keith Ball, 'Intimate architecture - Antony Gormley', Everything no.13, London, England, April/May 1994

  • Mary Sara, 'Communion and Community', Contemporary Art, Bath, Spring 1994

  • Luke Clancy, 'Power of a lapsed optimist', The Irish Times, Dublin, Ireland, 30 April 1994

  • Patrick Gallagher, '35,000 little craythurs', The Sunday Independent, Dublin, Ireland, 24 April 1994

  • John Farrell, 'Gormley show has to be seen', The Sunday Press, Dublin, Ireland, 24 April 1994

  • Emer McNamara, 'Antony Gormley', The Sunday Times, Dublin, Ireland, 24 April 1994

  • Rose Jennings, 'Antony Gormley: White Cube', Time Out, London, England, 20 April 1994

  • Hilary Pyle, 'Point of contact with material world', Cork Examiner, Cork, Ireland, 20 April 1994

  • Geraldine Norman, 'Sculptor casts himself in star role', The Independent, London, England, 18 April 1994

  • Aidan Dunne, 'Cast in his own image', The Sunday Tribune, Dublin, Ireland, 17 April 1994

  • Author Unknown, 'Witnesses to war', The West Australian, Perth, Australia, 16 April 1994

  • Richard Balls, '40,000 faces stare back at the critics', The Evening Press, Dublin, Ireland, 14 April 1994

  • Richard Dorment, 'Appearances can be deceptive...', The Daily Telegraph, London, England, 6 April 1994

  • Author Unknown, 'La place Jean-Monnet receptionnee', Ouest-France, Rennes, France, 31 March 1994

  • Ewa Ayton, 'I am fighting a deconstrutive world view', Art and business, Warsaw, Poland, March/April 1994

  • Author Unknown, 'Antony Gormley: Lecture', M'ARS, Moderna Galerija, Ljubljana, Slovenia, March/April 1994

  • Author Unknown, 'GormleyGormley', Yo!, Centrum Sztuki Wspolczesnej, Warsaw, Poland, 18 February 1994

  • Acta Orthopaedica Scandinavica vol.65 no.1 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, February 1994

  • Miro Prochazka, 'Antony Gormley', Atelier, Prague, Czech Republic, 27 January 1994

  • Richard Cork, 'Ways to figure it all out', The Times, London, England, 11 January 1994

  • Ewa Ayton, 'Antony Gormley - Pole i inne rzezby', Plastyka i Wychowanie, Warsaw, Poland, July 1994
  • Jeffrey Side. "'The Field' as metaphor" and Marjeta Potrc. "Interview", Off the cuff, University of Liverpool English Society, Lent 1994

  • Author Unknown, 'La claque di terracotta', Il Giornale dell'Arte no.118, Turin, Italy, January 1994

  • Marika Wachtmeister, 'Mannen bakon blyholjena', Femina, Stockholm, Sweden, January 1994

  • Michael Carson, 'Teaching all nations - how?', The Catholic Times, London, England, January 1994

1993
  • Jerzy Brukwicki, 'Plastyka', Warszawski Informator Kulturalny no.22/93, Warsaw, Poland, 29 December 1993

  • Malene Vest Hansen, 'Kunsten og kroppen', Politiken, Denmark, 22 September 1993

  • William Feaver, 'Field full of folk and banana skins', The Observer, London, England, 12 December 1993

  • Daniel Birnbaum, 'Kroppen ger rymd', Dagens Nyheter, Stockholm, Sweden, 10 December 1993

  • Tom Lubbock, 'Fine figures of a man', The Independent, London, England, 7 December 1993

  • Simon Brett, 'Prints from wood', Printmaking Today, London, England, Winter 1993

  • Robert Clark, 'A feat of clay', The Guardian, London, England, 1 December 1993

  • Roger Bevan, 'Issues of identity', The Royal Academy Magazine no.41, London, England, Winter 1993

  • Author Unknown, 'All eyes on sculptor Antony', West Derby and Duebrook Merseymart, Liverpool, 30 November 1993

  • Author Unknown, 'Pole dla wszystkich', Express Wieczorny, Warsaw, Poland, 23 November 1993

  • Philip Key, 'Work of a sculptor who's thinking big', The Daily Post, Liverpool, England, 20 November 1993

  • Author Unknown, 'Cast of Thousands', The Guardian, London, England, 19 November 1993

  • Philip Key, 'Gallery goes to pot for new art spectacular', The Daily Post, Liverpool, England, 19 November 1993

  • Magdalena Stopa, '30 tysiecy sentymentalnych figurek', Rzeczpospolita, Warsaw, Poland, 12 November 1993

  • L. Schmidt-Muehlisch, 'In der Masse wird der Einzelmensch gesichtslos', Die Welt, Germany, 6 November 1993

  • Stephen Bann, 'Wskrzeszenie Lazarza', Obieg no.55, Warsaw, Poland, November/December 1993

  • Author Unknown, 'Antony Gormley', Intercity magazine, London, November 1993

  • Pepe Vinoles, 'Los hombres...', Liberacion, Malmo, Sweden, 26 October 1993

  • Author Unknown, 'Aufmarsch der Tonfiguren: Ungewoehnliche Schau in Dresden', Hallesche Tageblatt/Dresdner Neuste Nachrichten/Leipziger Volkszeitung, Germany, 22 October 1993

  • Brita Orstadius, 'Fenomenet Antony Gormley', Sweden, 20 October 1993

  • Tomas Petzold, 'Arte Amazonas - Welt aus Rot und Gruen', Dresdner Neueste Nachrichten, Dresden, Germany, 16 October 1993

  • Jorgen Klinthage, 'Antony Gormley varnar om humanismen', Hallandsposten, Halmstad, Sweden, 15 October 1993

  • Lars O. Ericsson, 'Kroppen som fodral for manniskans ide', Dagens Nyheter, Stockholm, Sweden, 15 October 1993

  • Ola Torncrantz, 'Bland jattar och puttefnaskar', Sydsvenska Dagbladet, Malmo, Sweden, 15 October 1993

  • Lilli Vostry, 'Gegen Zerstroerung von Natur und Leben', Saechsische Zeitung, Dresden, Germany, 11 October 1993

  • Hakan Zeylon, 'Konsten angar oss alla', Skanska Dagbladet, Malmo, Sweden, 8 October 1993

  • Jutta Tronicke, 'Leben kann man nicht kaufen', Saechsische Zeitung, Dresden Germany, 7 October 1993

  • Leif Andersson, 'Sista branningen pa Barabruket', Sydssvenskan Dagbladet, Malmo, Sweden, 6 October 1993

  • Dan Jonsson, 'Gravitation som andlig kraft', I Dag Gt/Kvallsposten, Goteborg, Sweden, 5 October 1993

  • Author Unknown, 'Arme Kinder brannten 25 000 Tonfiguren', Dresdener Morganpost, Dresden, Germany, 5 October 1993

  • Marianne Nanne-Brahammar, 'Skapelsens tunga kroppar', Arbetet, Malmo, Sweden, 5 October 1993

  • John K. Grande, 'Back to bricks', Canadian Forum, Canada, October 1993

  • Author Unknown, 'Ovningsflyg med bly!', Nojesguiden Malmo, Sweden, October 1993

  • John K. Grande, 'Reviews: Montreal: Antony Gormley', Artforum, New York, USA, October 1993

  • Kenneth Gysing, 'Konstens tunga gubbar', Elle, Sweden, October 1993

  • Ulf Berg, 'Oga mot oga med 40, 000', Nordvastra Skanes Tidningar, Sweden, 29 September 1993

  • Andrew Russell, 'Is the world going potty?', Today, London, England, 29 September 1993

  • Marika Wachtmeister, 'Kroppen och dess holje', Kristianstads-Bladet /Solvesborgs-Tidningen/Karlshamns Allehanda, Sweden, 29 September 1993

  • Elisabeth Stengard, 'Vid Europas troskel' Blekinge Lans Tidning, Sweden, 28 September 1993

  • Jonas Ellerstrom, 'Skulpturer att diskutera med', Helsingborgs Dagblad, Sweden, 27 September 1993

  • Maria Lind, 'Vill forsona kropp och ande', Svenska Dagbladet, Stockholm, Sweden, 25 September 1993

  • Ake Holmqvist, 'Kroppen som tema', Norra Skane, Hassleholm, Sweden, 21 September 1993

  • Hans Janstad, Arbetet, Malmo, Sweden, 17 September 1993

  • Stig Engzell, 'Gormley's gubbar invaderar Malmo', Skanska Dagbladet, Malmo, Sweden, 17 September 1993

  • Author Unknown, 'Varldens vaxtvark', Sydsvenskan, Malmo, Sweden, 17 September 1993

  • Author Unknown, 'Platt fall for Gormleys figurer', Arbetet, Malmo, Sweden, 17 September 1993

  • Claes Carlson, 'Ett lyft for konsten', iDag, Goteborg, Sweden, 10 September 1993

  • Ewa Ayton, 'Pole Antony Gormleya', Sztuka Polska i Antyka, Poznan, Poland, September/October 1993

  • Chris Arnot, 'Shocks to the civic system', The Times, London, England, 11 August 1993

  • David Pagel, 'Turning an eye toward photographic transformations', The Los Angeles Times, USA, 22 July 1993

  • Tom Lubbock, 'An unnatural device', The Independent, London, England, 13 July 1993

  • Author Unknown, 'Arte Amazonas', Artis, Germany, July/August 1993

  • Author Unknown, 'Plastiker und objektkuenstler', ART no.7, Hamburg, Germany, July 1993

  • Christina Wendenburg, 'Die Welt als Dschungel', Tip, Germany, July 1993

  • Arnold Woods, 'Ancient and modern arts mould into one on the foundry floor', Evening Courier, Halifax, England, 24 June 1993

  • Susanne Delincee, 'Koerper formt Koerper', Observer, Wien, Austria, 21 June 1993

  • Andreas Stockinger, 'Kraft der Beharrlichkeit: Antony Gormley bei Ropac', Der Standard, Wien, Austria, 17 June 1993

  • Laurence Chauvy, 'Courant d'art a l'Hotel du Rhone', Journal de Geneve et Gazette de Lausanne, Switzerland, 5-6 June 1993

  • Florence Heiniger, 'Geneve a l'heure contemporaine', Sa Suisse, Geneva, Switzerland, 4 June 1993

  • Nadia El Beblawi, 'L'art d'aujourd'hui s'installe dans les salons d'un grand hotel genevois', Le Courrier, Geneva, Switzerland, 3 June 1993

  • Bertil Kaa Hedberg, 'Lergubbar ar vi allihopa', Norra Skane, Hassleholm, Sweden, 3 June 1993

  • Ulrich Mellitzer, 'Über Fragen nach der Stellung von Skulptur im realen Leben', Der Salzburger Nachrichten, Salzburg, Austria, June 1993

  • Eszter Gyarmathy, Antony Gormley, Juliet no.63, Trieste, Italy, June 1993

  • Author Unknown, 'Vilken plats tar en manniska?', Dagens Nyheter Sporten, Stockholm, Sweden, 24 May 1993

  • Marie-Michele Cron, 'Antony Gormley ou le crepuscule des dieux', Le Devoir, Montreal, Canada, 21 May 1993

  • Author Unknown, '40 mil Pares de Ojos que nos Contemplan', El Popular, Montreal, Canada, 20 May 1993

  • Author Unknown, '40 000 figurines au MBA', La Presse, Montreal, Canada, 18 May 1993

  • Ann Duncan, 'Antony Gormley and the little people', The Gazette, Montreal, Canada, 15 May 1993

  • Richard Cork, 'All square, past and present', The Times, London, England, 10 May 1993

  • James Parry, 'Unique exhibit of 40, 000 figurines', Le 9 a 5, Montreal, Canada, 6 May 1993

  • Malin Kaldo, 'Den konstigaste samling...som Sverige har knadat', iDag, Sweden, 5 May 1993

  • Anne Barclay Morgan, 'Antony Gormley: Field', Harpers, May/June 1993

  • Ann Hindry, 'Antony Gormley', Beaux Arts no.112, Paris, France, May 1993

  • Bernard Paquet, 'Recontre avec 40 000 figurines: L'art d'Antony Gormley', Vie Des Arts, Montreal, Canada, May 1993

  • Lars Ramklint, '40 000 gubbar ur Skanes lera', Dagens Nyheter, Stockholm, Sweden, 29 April 1993

  • Ola Gummesson, '40 000 lerfigurer invaderar Malmo', Svenska Dagbladet, Stockholm, Sweden, 28 April 1993

  • Author Unknown, 'Spektakulart lerbidrag', Svenska Dagbladet, Stockholm, Sweden, 28 April 1993

  • Hans Janstad, 'Branda gubbar blir konst', Arbetet, Malmo, Sweden, 28 April 1993

  • Author Unknown, '40 000 gubbar pa vag mot Malmo', Sydsvenska Dagbladet, Malmo, Sweden, 28 April 1993

  • Hans Widing, 'Lerfolk bar fredsbud', Sydsvenska Dagbladet, Malmo, Sweden, 28 April 1993

  • Author Unknown, 'gubbar blir jattekonstverk', Arbetet, Malmo, Sweden, 28 April 1993

  • Elisabeth Kressander, 'Konsthistoria skapas', Skanska Dagbladet, Malmo, Sweden, 28 April 1993

  • Alison Roberts, 'Unveiling of 'the rusty lump' deals blow to civic pride', The Times, London, England, 20 April 1993

  • Anke Sterneborg, 'Mahnmale gegen die Zerstoerung der Natur', Suddeutsche Zeitung, Munich, Germany, 16 April 1993

  • Michael Smith, 'Floozie in the Jacuzzi at the centre of a monumental row', The Daily Telegraph, London, 13 April 1993

  • Author Unknown, 'We are not amused', Birmingham Evening Mail, Birmingham, England, 7 April 1993

  • Diane Armitage, 'The human factor: figurative sculpture reconsidered', THE magazine, Albuquerque, NM, USA, April 1993

  • Lamija Muzurovic, 'Antony Gormley: Polja olovnih figura', Kontura no.16, Zagreb, Croatia, April 1993

  • Simone Ellis, 'Sculptors explore the human body', Albuquerque Journal, Albuquerque, NM, USA, 28 March 1993

  • Rex Weil, 'Bad mother', Washington City Paper, Washington, DC, USA, 26 March 1993

  • Simon Cooper, 'Oh, you are awful... but I like you, I think!', The Chronicle (Edgbaston), Birmingham, England, 19 March 1993

  • Liselotte Mueller, 'Der Amazonas klagt an', Augsburger Allgemeine, Augsburg, Germany, 17 March 1993

  • Author Unknown, 'Iron Man of the dole queue', Birmingham Evening Mail, Birmingham, England, 11 March 1993

  • Paul Richard, 'The 'Field': it figures', The Washington Post, Washington, DC, USA, 8 March 1993

  • Andrew Coleman, '100,000 iron man arises', Birmingham Evening Mail, Birmingham, 3 March 1993

  • Hans Pietsh, 'Er nimmt Mass am eigenen Korper', ART, Hamburg, Germany, March 1993

  • Terry Grimley, 'Don't knock this bold tribute to our city's past', The Birmingham Post and Mail, Birmingham, England, March 1993

  • Terry Grimley, 'Monument to a proud past', The Birmingham Post and Mail, Birmingham, 1 March 1993

  • Hank Burchard, 'Outstanding in his Field', The Washington Post, Washington, DC, USA, 12 February 1993

  • Leonard Hughes, 'Corcoran's Field of Figurines', Washington Post, Washington, DC, USA, 11 February 1993

  • 'Notizie: Antony Gormley', Flash Art, Milan, Italy, February 1993

  • Author Unknown, 'Art Baptism', The Art Newspaper, London, February 1993

  • Torstein Finnbakk, 'Bronse-mann?', Rana Blad, Mo I Rana, Norway, 8 January 1993

  • Louisa Buck, 'Feats of clay', GQ, London, December 1993
  • Jane Norrie, 'New terracotta army', The Times Educational Supplement, London, England, December 1993
  • Penny Kiley, 'Tate's unearthly arrivals', Today, London, England, December 1993
  • Anne McPherson, 'Reviews - Antony Gormley - Field', Canadian Art, Canada, Winter 1993

  • Marcin Stopa, 'Osobisty odlew ciata', Gazeta Wyborcza, Warsaw, Poland, 18 November 1993
  • Harald Flor, 'Med 40 000 blikk', Dagbladet, Oslo, Norway, 26 October 1993
  • Ann Lumbye Sorensen, 'Materialiseret liv', Information, Denmark, 12 October 1993
  • Giuditta Villa, 'Roma, Antony Gormley, Accademia Britannica', Flash Art, Milano, Italy, 1993

  • Alisa Tager, 'Reviews: Los Angeles: Antony Gormley', ARTnews, New York, USA, January 1993
  • Annette Tietenberg, 'Grillen zirpen gegen den Treibhauseffekt', Der Tagesspiegel, Germany, 1993

  • Antony Gormley, 'A Brum deal', Arts Review Yearbook, London, England, 1993

  • Ute Hermanns, 'Klima Global - Arte Amazonas', Museums Journal, Germany, 1993

  • Maria Lind, 'Fornimmandet finns i enfalden', Material no.1(17), Stockholm, Sweden, 1993

  • Ewa Ayton, 'Nieme przeslanie', Dom & Wnetrze no.4, Warszawa, Poland, 1993

  • Roger Bevan, 'Issues of identity', The Royal Academy Magazine no.41, London, England, Winter 1993

1992
  • Enrico Gallian, 'I contenitori dell'ignoto', L'Unita, Rome, Italy, 26 December 1992

  • Cecilia Casorati, 'Emozioni di piombo', Avvenire, Rome, Italy, 15 December 1992

  • Author Unknown, Nikkei, Tokyo, 14 December 1992

  • Author Unknown, Sankei, Tokyo, 7 December 1992

  • Author Unknown, Asahi, Tokyo, 4 December 1992

  • Giuditta Villa, 'La testa di Antony Gormley e altri scultori in mostra', Il Piacere dell'Occhio, Rome, Italy, 3 December 1992

  • Robert L. Pincus, 'Gormley's engaging vision of humanity takes many forms', San Diego Union-Tribune, San Diego, USA, 12 November 1992

  • Torstein Finnbakk, 'Stalskulptur knytter Mo i Rana til sjoen', Rana Blad, Mo I Rana, Norway, 10 November 1992

  • 'Learning to think', Newsletter, The British School at Rome, November 1992

  • Kenneth Baker, 'Big theme, tiny figures in San Diego', San Francisco Chronicle, San Francisco, California, USA, 26 October 1992

  • Gunvor Gjessing, 'Landskapet som skulpturgalleri', Aftenposten, Oslo, Norway, 25 October 1992

  • Susan Freudenheim, 'Contemplative spectacle', Los Angeles Times, Los Angeles, California, USA, 17 October 1992

  • David Pagel, 'Gormley's sculptures get physical', Los Angeles Times, Los Angeles, California, USA, 8 October 1992

  • Robert L. Pincus, 'Sculptor with earthly world view', San Diego Union-Tribune, San Diego, California, USA, 8 October 1992

  • 'Museum Exhibitions', La Jolla Light, San Diego, California, USA, 24 September 1992

  • Vera Isachsen, 'Ranfjorden blir en del av skulptur landskapet', Nordlandposten, Bodo, Norway, 1 August 1992

  • Hans Trygve Holm, '10 meter jernmann til Rana', Rana Blad, Mo I Rana, Norway, 31 July 1992

  • Paul A. Sanchez, '35 mil figurillas de Barro Conforman la Exposicion Campo', Cultures, Mexico, 15 June 1992

  • Author Unknown, '"Arte Amazonas" e resultado de workshop', Folha de Sao Paulo, Sao Paulo, Brazil, 5 June 1992

  • Author unknown, 'A visao estrangeira da floresta', Jornal do Brasil, Rio de Janiero, Brazil, 4 June 1992

  • James Brooke, 'Arts invade Rio for the Earth Summit', The New York Times, New York, 1 June 1992

  • Mauro Dias, 'A Amazonia sob o olhar estrangeiro', Estasdo de Sao Paulo, Sao Paulo, Brazil, 29 May 1992

  • Allan Kozinn, 'A calm after the storm at Spoleto?', New York Times, New York, USA, 17 May 1992

  • Author Unknown, 'Workers keep feet on ground over sculpture', Express and Star, Birmingham, 25 April 1992

  • Author Unknown, 'Casting an eye over a Vision', The Birmingham Post, Birmingham, England, 25 April 1992

  • Gunter Metken, 'Trauer und Risse im Atelier der Tropen', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 10 March 1992

  • Raquel Tibol, 'Edgar Negret y Antony Gormley en Mexico', Proceso 801, Mexico, 9 March 1992

  • Lorna Scott Fox, 'Sembrar hombres', La Journada Semanal, Mexico, 6 March 1992

  • Francesca Borrelli, 'Oriente mon amour', Wimbledon no.23, Roma, Italy, March 1992

  • Author Unknown, 'Las cosas ya existen. La escultura ya existe', Poliester, Mexico, March 1992

  • Luis Carlos Emirich, 'Un dia de Campo con Antony Gormley', Novedades, Mexico, 28 February 1992

  • Author Unknown, 'Hombres y mujeres del futuro', El Planeta, Mexico, 24 February 1992

  • Author Unknown, 'Means of expression and source of joy', The Hindu, Bangalore, India, 14 February 1992

  • Author Unknown, 'Ingles quer populacao de PV morando no mato: preservacao', Alto Madiera, Porto Velho, Brazil, 12 February 1992

  • Monica Mayer, 'Las grande instalaciones de Rheinsberg y Gormley', Universal, Mexico, 2 February 1992

  • 'Field', The British Council Mexico Newsletter, Mexico, February 1992

  • Carlos Ocampo, 'Un cuerpo colectivo denominado', Activa, Mexico, February 1992

  • Merry MacMasters, 'Instalacion de Antony Gormley', El Nacion, Mexico, 31 January 1992

  • Marta Jakimowicz-Karle, 'Combining beauty with utility', Deccan Herald, India, 31 January 1992

  • Author Unknown, 'Der eiserne Gormley', Frankfurter Rundschau, Frankfurt, Germany, 29 January 1992

  • Sumitra Kumar Srinivasan, 'Expressions in clay', The Hindu Magazine, India, 26 January 1992

  • Author Unknown, 'Wide and impressive range of ceramics', The Hindu, Madras, India, 10 January 1992

  • Eugene Rosenberg and Richard Cork, 'Architects choice', Thames & Hudson Ltd, London, 1992

  • Author Unknown, El arte diverte, Revista Somos, Centro Cultural Arte Contemporaneo, Mexico City, January/March 1992

  • Jonathan Saville, 'Body Experiences', Reader Art, San Diego, California, USA, 1992

1991
  • Anupa Mehta, 'Of the same earth, pot and potter', The Independent, India, 19 December 1991

  • Niyatee Shinde, 'The language of ceramics', Indian Express, 7 December 1991

  • Nandita Chaudhuri, 'A display of clay', The Times of India, 7 December 1991

  • Jane Rankin-Reid, 'On the verandah', Artscribe no.39, London, England, November/December 1991

  • Robert Taplin, 'Antony Gormley at Salvatore Ala', Art in America, New York, USA, November 1991

  • Shuddhabrata Sengupta, 'Colours of the earth', Sunday Mail, New Delhi, India, 20 October 1991

  • Janet Tyson, 'Gormley's 'field' of figures magically moving', Fort Worth Star-Telegram, Fort Worth, Texas, USA, 15 October 1991

  • Daniel Birnbaum, 'Kropp uppat vaggarna', Expressen, Stockholm, 5 October 1991

  • Janet Kutner, 'Figuratively speaking', The Dallas Morning News, Dallas, Texas, USA, 28 September 1991

  • 'Preview: Sculptor Antony Gormley', Datebox 16, Texas, USA, 20 September 1991

  • Author Unknown, 'Here's one, and two and...', The Dallas Morning News, Dallas, Texas, USA, 20 September 1991

  • Author Unknown, 'Giant visions', The Times, London, England, 20 September 1991

  • Janet Kutner, 'Museums and Art Preview', The Dallas Morning News, Dallas, Texas, USA, 20 September 1991

  • Author Unknown, 'Artist's feat of clay will go on display', Fort Worth Star-Telegram, Fort Worth, Texas, USA, 18 September 1991

  • Lars O. Erricsson, 'Klafsigt malade traramar och blykroppar', Dagens Nyheter, Stockholm, 17 September 1991

  • Gertrud Sandqvist, 'Manniskan som blykista', Svenska dagbladet, Stockholm, 14 September 1991

  • Terry Grimley, 'Vision of latest city sculpture', The Birmingham Post, Birmingham, 14 September 1991

  • Author Unknown, 'Vision of beauty: City says "yes" to TSB gift', Birmingham Evening Mail, Birmingham, England, 13 September 1991

  • Author Unknown, 'Bank's Vision at their new HQ', Wolverhampton Express and Star, Wolverhampton, England, 13 September 1991

  • Thomas Padon, 'Antony Gormley: Salvatore Ala, New York', Sculpture Magazine, Washington, USA, September/October 1991

  • Sylvia Netzer, 'Antony Gormley's Field', American Ceramics Magazine, vol.9, USA, Fall 1991

  • Jane Hart, 'Interview with Antony Gormley', Journal of Contemporary Art, vol.4 no.3, New York, USA, Fall 1991

  • Arthur C. Danto, 'Spoleto Festival USA', The Nation, New York, 29 July - 5 August 1991

  • Barry Schwabsky, 'Antony Gormley', Arts Magazine, New York, Summer 1991

  • Elaine Bresler, 'Old jail exhibit truly artistic', Letters to the Editor, Charleston News and Courier, Charleston, South Carolina, 23 June 1991

  • Richard Maschal, 'Why all the fuss?', The Charlotte Observer, Charlotte, South Carolina, 9 June 1991

  • Scott Gutterman, '"Places with a past" opens in Charleston', The Journal of Art, Washington, DC, June/July/August 1991

  • Kristina Montvidas-Kutus, '"Places with a past" tries to make sense of chaos', Charleston News and Courier, Charleston, South Carolina, 30 May 1991

  • Michael Brenson, 'Visual Arts join Spoleto Festival USA', New York Times, New York, 27 May 1991

  • Robert Holden, 'Irish stew', Building Design, London, 3 May 1991

  • 'Antony Gormley', The Print Collector's Newsletter, USA, May-June 1991

  • Robert Jones, 'I may not know art, but I know what I like', Charleston News and Courier, Charleston, South Carolina, 29 April 1991

  • Kay Larson, 'Mixed Messages', New York Magazine, New York, 15 April 1991

  • 'Art: galleries: Antony Gormley', The New Yorker, New York, 8 April 1991

  • Bruce Smith, 'Visuals of Spoleto Fest: jail freed, city as canvas', Washington Times, Washington, DC, 8 April 1991

  • Bernard Marcelis, 'Expositions: Bruxelles: Antony Gormley', Art Press, Paris, France, April 1991

  • George Bacon, 'Picasso's Parade, drawings from Titian to Johns', The Art Newspaper, London, April 1991

  • Michael Brenson, 'Antony Gormley: Salvatore Ala Gallery', Weekend, The New York Times, New York, 29 March 1991

  • Kim Levin, 'Choices: Antony Gormley', Village Voice, New York, March 1991

  • David Lillington, 'Art: Preview', Time Out, London, 27 February 1991

  • Roger Bevan, Il Giornale dell'Arte, Turin, Italy, February 1991

  • Mary Rose Beaumont, 'Living bodies', Galleries Magazine, London, England, February 1991

  • Author Unknown, 'Antony Gormley, Present Time', Newsletter of the National Galleries of Scotland, Edinburgh, Scotland, February 1991

  • Roger Bevan, 'Around the galleries: London', The Art Newspaper, London, February 1991

  • 'Up to date display', Glasgow Herald, Glasgow, Scotland, 24 January 1991

  • Tim Hilton, 'Critics choice', The Guardian, 23 January 1991

  • Andrew Graham-Dixon, The Independent, London, 22 January 1991

  • David Kusin, 'Sculptor's range reveals intimacy on a grand scale', Times Herald, Dallas, Texas, USA

  • Carl-Fredrick Harleman and Erik van der Heeg. "Concentrated spaces", Material Konst-fanzine no.2, Stockholm, 1991

  • Author Unknown, 'Koncentrerade rymder', Bulletin no.4, Moderna Museets Vanner, Stockholm, 1991

Download press archive Download press archive