Antony Gormley

2000

  • Zygmunt Bauman, 'Leben - oder bloß Uberleben?', Die Ziet, Berlin, Germany, 28 December 2000

  • Aidan Dunne, 'Where angels fear to tread', The Irish Times, Dublin, Ireland, 4 December 2000

  • John A. Walker, 'To buy or not to buy…', Art Review, London, England, December 2000/January 2001

  • Anders Sjogren, 'Mannen bakom rondellens huvudlosa kroppar', Vasterbottens-Kuriren, Umea, Sweden, 9 November 2000

  • Author Unknown, 'Omdiskuterad staty invigd', Vasterbottens Folkblad, Umea, Sweden, 9 November 2000

  • Barry Toberman, 'Oslo weeps as memorial to Nazi victims dedicated', Jewish Chronicle, London, England, 3 November 2000

  • Trond Boren, 'Stolene er tome', Stavanger Aftenblad, Stavanger, Norway, 27 October 2000

  • Lotte Sandberg, 'Poetiske paminnelser', Aftenposten, Oslo, Norway, 27 October 2000

  • Erle Moestue Bugge, 'Norske joder far sitt krigs-monument', Aftenposten, Oslo, Norway, 25 October 2000

  • Martin Gayford, 'Artist on art', The Daily Telegraph, London, England, 7 October 2000

  • Martin Gayford, 'Self-portraits without the self', The Daily Telegraph, London, England, 4 October 2000

  • Gautier Deblonde, 'Gormley's People', Granta 71, London, Autumn 2000

  • Mark Currah, 'Antony Gormley', Time Out, London, England, 27 September - 4 October 2000

  • Author Unknown, 'Männer, schwerelos: Skulpturen von Gormley bei White Cube2 in London', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 23 September 2000

  • Charles Darwent, 'Eight iron men, some old Y-fronts and a neon tube', The Independent on Sunday, London, England, 17 September 2000

  • Claire Bishop, 'Casting himself into a corner', The Evening Standard, London, England, 15 September 2000

  • Tom Sutcliffe, 'Adventures in personal space', The Independent, London, England, 12 September 2000

  • Charles Darwent, 'Antony Gormley: Drawn', Metro, London, England, 8 September 2000

  • Mark Griffiths, 'Art and gardening draw on common ground', The Times, London, England, 17 August 2000

  • Lynn MacRitchie, 'The creative outdoors', Financial Times, London, England, 5 - 6 August 2000

  • Martin Gayford, 'Everything in the garden is unnaturally lovely', Sunday Telegraph, London, England, 3 August 2000

  • Adrian Searle, 'Life in the big apple', The Guardian, London, England, 25 July 2000

  • Nina Tjomsland, 'Jernmenn for a danne fortellingen om vare liv', Stavanger Aftenblad, Stavanger, Norway, 1 July 2000

  • Alice Thorson, 'Sculpture is 'Still Standing'', The Kansas City Star, Kansas, USA, 20 June 2000

  • Antony Gormley, 'We must build on this renaissance of art in Britain', The Independent, London, England, 24 May 2000

  • Laura Cumming, 'Simply the Best', The Observer Review, London, England, 14 May 2000

  • 'Modern Art: Ask Antony Gormley', The Forum, BBC News, London, England, 14th May 2000

  • Martin Gayford, 'Bring sharks into the classroom', The Daily Telegraph, London, England, 4 May 2000

  • Ann Hindry, 'Antony Gormley', ArtPress, Paris, France, May 2000

  • Ian Tromp, 'Body and Light: Antony Gormley's Quantum Clouds', Modern Painters, London, England, Spring 2000

  • Fiachra Gibbons, 'East is Best for Britart Pack', The Guardian, London, England, 14 April 2000

  • Scott G. Burnham, 'Standing on the Shoulders of the Past: Recent Landmark Sculptures in the United Kingdom', Sculpture, Washington DC, USA, April 2000

  • Terri Judd, 'Turner offerings baffle Dome art zone customers', The Independent, London, England, 29 March 2000

  • Robin Young and Jonathan Morgan, 'Broad canvas for the new face of Tate Britain', The Times, London, England, 24 March 2000

  • Dalya Alberge, 'Outdoor art allies are streets apart', The Times, London, England, 15 March 2000

  • Author Unknown, 'Public art has captured the public's imagination', The Independent Review, London, England, 15 March 2000

  • Gillian Reynolds' Choice, Radio Review, The Daily Telegraph, London, England, 6 March 2000

  • Geneviève Breerette, 'Vivacité et renouvellement de deux sculpteurs anglais', Le Monde, Paris, France, 5 - 6 March 2000

  • Tom Allan, 'Dome Roamin', The Guardian, London, England, 15 January 2000

  • Laura Cumming, 'The Figures Speak for Themselves', The Observer Review, London, England, 9 January 2000

  • Author Unknown, 'Revelations - Antony Gormley', Ceramic Review, January/February 2000

  • Gary Michael Dault, 'Antony Gormley: One moment after another', Border Crossings, Manitoba, Canada, Vol. 19, Number 1, Issue 73, 2000
  • 'A Celebration of 500 years of British art', The Observer Magazine, special issue: "The Observer Exhibition: 'Beehive Breakout' by Antony Gormley" "I know what I like: Chris Smith on 'Field for the British Isles by Antony Gormley'"

1999
  • Francesca Ryan, 'His London', Evening Standard Magazine, London, England, 22 December 1999

  • Rachel Halliburton, 'Iron man arises', FT Weekend, London, England, 12 December 1999

  • John Harlow, 'Angel of the south heads for clouds', The Sunday Times, London, England, 12 December 1999

  • Ole S. Nerheim, Fra Skjenkestuen til det private rom, Rogalands Avis, Stavanger, Norway, 10 December 1999

  • Tim Auld, 'Foxglove: Digitalis purpurea', House & Garden, England, December 1999

  • Cristina Odone, 'Heaven Can't Wait', The Observer Magazine, London, England, 28 November 1999

  • Charlotte Abrahams, 'Art to DIY for', The Guardian Weekend, London, England, 9 October 1999

  • Dave Brown (cartoon), The Independent, London, England, 6 October 1999

  • Adrian Searle, 'He created the Angel of the North. Now he's making an even bigger Millennium Man. But will it stand up?', The Guardian, London, England, 5 October 1999

  • Paul McCann, 'From the man who made the 'Gateshead Flasher', a 'Millennium Man' for the Dome', The Independent, London, England, 5 October 1999

  • Author Unknown, 'Dome art's silver lining', The Express, London, England, 5 October 1999

  • Mark Henderson, 'Sculptor resurrects millennium giant', The Times, London, England, 5 October 1999

  • Tim Cooper and Robin Stringer, 'Artforms and uniforms… the Dome's new additions', The Evening Standard, London, England, 5 October 1999

  • Maev Kennedy, 'Invisible man to rival Angel of North', The Guardian, London, England, 5 October 1999

  • Author Unknown, 'Quantum art will join the leap into the Millennium', The Herald, Edinburgh, Scotland, 5 October 1999

  • Author Unknown, 'Turner winner's dome display', The Scotsman, Edinburgh, Scotland, 5 October 1999

  • Richard Cork, 'Meridian messages writ on water', The Times, London, England, 5 October 1999

  • Richard Price, 'The human hedgehog: Angel of the North artist makes his point… around 3,500 times', Daily Mail, London, England, 5 October 1999

  • Nigel Reynolds, 'Millennium Man to become Gormley's angel of the South', The Daily Telegraph, London, England, 5 October 1999

  • David Lister, 'Sex-change machine and invisible sculpture will top bill at the Dome', The Independent, London, England, 3 September 1999

  • Richard Rhodes, 'Afterthought', Canadian Art, Toronto, Canada, Fall 1999

  • Dalya Alberge, 'Art given a shelf life at DIY store', The Times, London, England, 28 July 1999

  • Fiachra Gibbons, 'Home is the base for objets d'art', The Guardian, London, England, 28 July 1999

  • Author Unknown, 'A Hypermarket of Hype: Even Duchamp could be useful in the world of DIY', The Times, London, England, 28 July 1999

  • Antony Thorncroft, 'Sculptors find that Homebase is where the art is', Financial Times, London, England, 28 July 1999

  • Susan Doolan, 'Intimate Exhibit', Barrie Examiner, England, 24 July 1999

  • Peter O'Brien, 'Middle of Somewhere', National Post, Toronto, 23 July 1999

  • Merel Ligtelijn. "Op het Lange Voorhout wordt de hazendans gehopst", Trouw, The Hague, Netherlands, 24 June 1999

  • Sandra Smallenburg, 'Britse sculpturen op Lange Voorhout', NRC Handelsbled, 22 June 1999

  • Herman Rosenberg, 'Leger kleifiguren bezet Spui', Haagsche Courant, The Hague, The Netherlands, 22 June 1999

  • Roos van Put, 'Antony Gormley en zijn rol op aarde', Haagsche Courant, The Hague, Netherlands, 21 June 1999

  • Roos van Put, 'Vragen over het bestaan', Haagsche Courant, The Hague, Netherlands, 18 June 1999

  • Author Unknown, 'Another Place', New York Contemporary Art Report, New York, USA, June 1999

  • John Harbo, 'Britisk kunstner med monument over norske jøder', Aftenposten, Oslo, Norway, 27 March 1999

1998
  • Terri Judd, 'Outcry over 'dead baby' stamp', Daily Mail, London, England, 2 November 1998

  • Author Unknown, 'Baby stamp faces ban', The Star, London, England, 2 November 1998

  • Cahal Milmo, 'Outrage at 'foetus' stamp', The Independent, London, England, 2 November 1998

  • Author Unknown, 'Millennium stamp shows 'dead foetus'', Daily Telegraph, London, England, 2 November 1998

  • Trond Borgen, 'Mennesket mot utslettelsen', Stavanger Aftenblad, Stavanger, Norway, 18 August 1998

  • Colette Bailey, 'Angel of the North', Sculpture 98, London, Winter 1998

  • Lena Katarina Swanberg, 'Vernissage I bokskogen', Manads Journal, Sweden, August 1998

  • Hilde Sandvik, 'Ein annan stad', Bergens Tidende, Bergen, Norway, 21 June 1998

  • Margaretha Schoen, 'Med freestyle och Insiders i Wanas Walk', Svenska Dagbladet, Stockholm, Sweden, 13 June 1998

  • Trond Borgen, 'En mystik strand', Stavanger Aftenblad, Stavanger, Norway, 9 June 1998

  • Kristjan Gudlaugsson, 'Folkefest for 100 nakne menn', Rogalands Avis, Stavanger, Norway, 8 June 1998

  • Crispin Ahlstrom, 'Intelligenta naturlekar', Goteborgs-Posten, Goteburg, Sweden, 5 June 1998

  • Roger Bevan, 'Attraction of opposites', Royal Academy Magazine no.59, London, England, Summer 1998

  • Vanessa Thorpe, 'A monumental vision', Independent on Sunday, London, England, 31 May 1998

  • Pontus Kyander, 'Elegant och intelligent', Sydsvenskan, Sweden, 27 May 1998

  • Author Unknown, 'Stripped, cling-filmed...', 'Stripped, cling-filmed...', The Observer, London, England, 24 May 1998

  • Nigel Reynolds, '£1m war sculpture for the Summer Exhibition/Summer Exhibition loses serene image with war sculpture', The Daily Telegraph, London, England, 23 May 1998

  • Robin Stringer, 'Sculptor faces the critics and the mass', Evening Standard, London, England, 22 May 1998

  • Rex Fontaine, 'Gateshead greets Chelsea with green Angel of the North [minus Shearer shirt]', The Independent on Sunday, London, England, 17 May 1998

  • Nigel Reynolds, 'Shearer plays on the wing', The Daily Telegraph, London, England, 13 May 1998

  • Author Unknown, 'Gateshead's A1 Angel', Tate no.14, London, England, Spring 1998

  • Rex Fontaine, 'Spot of bother for Damian', The Independent on Sunday, London, England, 12 April 1998

  • Rosanna de Lisle, 'Very young British artists', Independent on Sunday, London, England, 5 April 1998

  • Author Unknown, 'Rule Britannia: Cool Britannia', Svenska Dagbladet, Stockholm, Sweden, 5 April 1998

  • Keith Walker and Simon Morley, 'Gormley's Space 1986', Art and Christianity Enquiry Bulletin no.14, London, England, April 1998

  • Michael Henshall, 'Hills of the North, rejoice', Church Times, London, England, 20 March 1998

  • Paul Vallely, 'A new friend for the North', The Independent, London, England, 28 February 1998

  • 'Tippett: The Midsummer Marriage' [programme], Bayerische Staatsoper, Munich, Germany, 25 February 1998

  • William Feaver, 'It will never take off...', The Observer, London, England, 22 February 1998

  • John McEwen, 'Angels go public', The Sunday Telegraph, London, England, 22 February 1998

  • Author Unknown, 'Artists show it can all be child's play', Independent on Sunday, London, England, 22 February 1998

  • Waldemar Januszczak, 'This one's got wings', The Sunday Times, London, England, 22 February 1998

  • A A Gill, 'They have a word for this kind of angel up north', The Sunday Times, London, England, 22 February 1998

  • Valerie Grove, 'Sculptor with belief in his guardian angel', The Times, London, England, 21 February 1998

  • Author Unknown, 'Kunstmarkt', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 21 February 1998

  • William Packer, 'An angel to out-wing them all', Financial Times, London, England, 21 - 22 February 1998

  • Paul Barker, 'Observations', New Statesman, London, England, 20 February 1998

  • Christiane Meixner, 'Der alte Traum des Ikarus', Koelner Stadtanzeiger, Cologne, Germany, 19 February 1998

  • 'Letters to the Editor: The slapper in the angel's wings', The Guardian, London, England, 18 February 1998

  • Martin Gayford, 'Is it a bird? Is it a plane?', The Daily Telegraph, London, England, 18 February 1998

  • John Russell Taylor, 'Big, but is it beautiful?', The Times, London, England, 18 February 1998

  • Stephen McClarence, 'The art of what is and what could have been', Yorkshire Post, Leeds, England, 18 February 1998

  • Martin Evans, 'Angel braves the North', Irish News, Belfast, Ireland, 17 February 1998

  • Chris Lloyd, 'A heavenly host greets the Angel', The Northern Echo, Newcastle, England, 17 February 1998

  • John Casey, 'Big, brash, banal: truly a symbol of our age', Daily Mail, London, England, 17 February 1998

  • Andrew Lambirth, 'Is it a bird? Is it a plane? No, it's a Gormley', The Independent, London, England, 17 February 1998

  • Adrian Searle, 'Impressive piece of structural design and engineering', The Guardian, London, England, 17 February 1998

  • David Whetstone, 'Angel rides the wind', The Journal, Newcastle, England, 17 February 1998

  • Maggie Morgan, 'Devil of a row over rusty Angel', The Express, London, England, 17 February 1998

  • Roger Scott, 'Ascension of a rusty angel', The Daily Mail, London, England, 16 February 1998

  • David Whetstone, 'Angel on high and 'The Angel of the North' [supplement], The Journal, Newcastle, England, 16 February 1998

  • Author Unknown, 'Spread your wings', The Daily Telegraph, London, England, 16 February 1998

  • Sarah French, 'Angel on high' and 'Giant mummy gets its wings and an angelic expression', The Northern Echo, Newcastle, England, 16 February 1998

  • Stephen Goodwin, 'Easy does it... as a 200-tonne angel is winched into the sky', The Independent, London, England, 16 February 1998

  • Author Unknown, 'Friend in the North', The Express, London, England, 16 February 1998

  • Stephen White, 'The ascending angel', The Mirror, London, England, 16 February 1998

  • Peter Hetherington, 'Traffic stops as Angel spreads his wings', The Guardian, London, England, 16 February 1998

  • Author Unknown, 'Angel of the North spreads his wings over Gateshead', Financial Times, London, England, 16 February 1998

  • Linda Richards, 'The Angel has landed', Evening Chronicle, Newcastle, England, 16 February 1998

  • 'Brave big Britannia' [editorial], The Times, London, England, 16 February 1998

  • Rebecca Hopkins, 'Angel Delight', Evening Chronicle, Newcastle, England, 16 February 1998

  • Author Unknown, '5 days in the life of...', The Independent on Sunday, London, England, 15 February 1998

  • Author Unknown, 'Tyneside's guardian', The Economist, London, England, 14 February 1998

  • Brian Unwin, 'Art for North's sake' The Daily Telegraph, London, England, 14 February 1998

  • David Hayward, 'Spreading wings', New Civil Engineer, London, England, 12 February 1998

  • Paul Usherwood, 'Is it a Bird? Is it a Plane?', Art Monthly, London, England, February 1998

  • Heidi Buerklin, 'Glitzerbilder mit Dung', Die Welt, Germany, 31 January 1998

  • Steve Boggan, 'Northerners see the light as Angel makes its entrance', The Independent, London, England, 31 January 1998

  • John Windsor, 'Let the love affair begin', Saturday Magazine, The Independent, London, England, 17 January 1998

  • Peter Hetherington, 'On the side of the Angel', The Guardian, London, England, 10 January 1998

  • Smadar Eliassaf, 'A landscape of eyes', Mishkafayim, The Israel Museum, Jerusalem, 1998

  • Hans Ulrich Obrist, 'Unbuilt roads', Contemporary visual arts no.20, London, England, 1998

1997
  • David Whetstone, 'Sculptor unveils a virtual reality model', The Journal, Newcastle, 4 December 1997

  • Ilse Cordes, 'Figur oder Dokumentation?', Cuxhavener Nachrichten, Cuxhaven, Germany, 7 November 1997

  • Boris Hohmeyer, 'Der Blick geht hin ueber nach England', Art, Hamburg, Germany, November 1997

  • Matthew Higgs, 'Follow Me', Art Monthly, London, England, November 1997

  • Mairi Ben Brahim/Helen Gibson/Barry Hilenbrand/Philip Skelding, 'Britain renewed', Time Magazine, New York, USA, 27 October 1997

  • Dora Hartmann, 'Die Meditation der Kurgaste', Die Tageszeitung Abkurzung taz, Bremen, 18 - 19 October 1997

  • Author Unknown, 'Antony Gormley - Wattenmeerprojekt - Cuxhaven', Art, Hamburg, Germany, October 1997

  • Author Unknown, 'Angel of the North wings in', The Financial Times, London, England, 22 September 1997

  • Jessica Kempe, 'Ogon spanda I trad', Dagens Nyheter, Stockholm, Sweden, 19 September 1997

  • Katja Blomberg, 'Eisenmaenner auf ihrem Weg ins Meer', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 18 September 1997

  • Hagen Haastert, 'Tagein, tagaus regungslos in den Fluten stehen', Main-Echo, Aschaffenburg/ '100 Maenner nackt im Watt', Darmstaedter Echo, Darmstadt, Germany, 6 September 1997

  • Eva Runefelt, 'Behallare som skyddar det levande', Svenska Dagbladet, Stockholm, Sweden, 6 September 1997

  • Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, July/August/September 1997

  • Ian Tromp, 'Inside outlines', Dharma Life, London, England, Summer 1997

  • Jens Ronnau, 'Antony Gormley: Our House: Kunsthalle zu Kiel', Artforum no.137, June/August 1997

  • Author Unknown, 'Gormley darf Koegerfiguren im Watt installieren', Cuxhavener Nachrichten, Cuxhaven, Germany, 23 April 1997

  • Author Unknown, 'Die Polaritaet der Menschen in dieser Welt' and Ilse Cordes, 'Die Chance erkennen', Cuxhavener Nachrichten, Cuxhaven, Germany, 18 April 1997

  • Waldemar Januszczak, 'A true reflection of the age', The Sunday Times, 13 April 1997

  • Author Unknown, 'Total Strangers', Kolner Illustrierte no.4, Cologne, Germany, April 1997

  • Claudia Herstatt, 'Der reproduzierte Mensch', Handelsblatt, Duesseldorf, Germany, 21 - 22 March 1997

  • Arno Orzessek, 'Menschenbild aus Eisen', Sueddeutsche Zeitung, Germany, 6 March 1997

  • Author Unknown, 'Aufmarsch der Massen', Der Spiegel no. 10, Germany, 3 March 1997

  • Ian Tromp, 'Bodyworks', Sculpture vol.16 no.3, Washington, DC, USA, March 1997

  • Richard Cork, 'Our heavenly bodies', The Times, London, England, 25 February 1997

  • Amine Haasem, 'Wer sind die Fremden?', Kolner Stadt-Anzeiger, Cologne, Germany, 22 - 23 February 1997

  • Margarete Hucht, 'Fremder Mann aus Eisen', Kolnische Rundschau, Cologne, Germany, 21 February 1997

  • Marie Claire Uberquoi, 'El Macba expone la vision de 30 artistas sobre la vida y la muerte', El Mundo, Barcelona, Spain, 6 February 1997

  • Ignacio Ramonet, 'Imperium Americanum', Le Monde Diplomatique, Berlin, Germany, February 1997

  • Katie Ford, 'Let's see your body', Varsity Arts, Cambridge, 24 January 1997

  • Alf Herlofsson, 'Betong- kostymerna snart fullbordade', Skanska Dagbladet, Malmo, Sweden, 23 January 1997

  • Magnus Jando, 'Modeller soker sina egna avbilder', Arbetet Nyheter, Sweden, 23 January 1997

  • Julia Cassim, 'Sculptures cast an enigmatic silence', The Japan Times, Tokyo, Japan, 19 January 1997

  • The Directory, London, 18-24 January 1997

  • Leif Larssonk, 'Men de finns ju har ocksa', Vasterbottens-Kuriren, Umea, Sweden, 11 January 1997

  • Elaine Williams, 'Confessions of a sculptor', The Times Higher Education Supplement, London, England, 10 January 1997

  • Pepe Vinoles, 'El otro yo del hormigon', Liberacion, Malmo, Sweden, 3 January 1997

  • Ilse Cordes, 'Nur ein winziges Etwas in der weiten Landschaft', Cuxhavener Nachrichten, Cuxhaven, Germany, 12 September 1997
  • Mel Gooding, 'The art of noise', The Independent Magazine, London, England, 24 May 1997
  • Thierry Davila. "Empreinte, l'art cueilli sur le vif", Beaux-Arts Magazine, France, April 1997

  • Maddy McTernan, 'My time at Cambridge', CAM, University of Cambridge, Lent Term, England 1997

  • Gesa Roepke, 'Eine Schlammlandschaft', Kieler Express, Kiel, Germany, 22 March 1997
  • Ilse Cordes, 'Nach den Hapag-Hallen nun das Watt', Cuxhavener Nachrichten, Cuxhaven, Germany, 7 March 1997
  • Erik Magnusson, 'Hostens utstallningar raddade', Sydsvenska Dagbladet, Malmo, Sweden, 5 March 1997
  • Maren Kruse, 'Die Kunst: ein truebes Gewaesser', Kieler Nachrichten, Kiel, Germany, 1 March 1997
  • Olga Spiegel, 'El Macba abre la tercera muestra con fondos de su coleccion', La Vanguardia, Barcelona, Spain, 6 February 1997
  • Louisa Buck, 'Moving Targets', Tate Gallery Publishing, London, England, 1997
  • Hideki Nakamura, Yomiuri Chubu, Japan, 1 January 1997

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