Antony Gormley

2004

  • Author Unknown, 'The bed made for loafing', The Daily Telegraph, London, England, 26 November 2004

  • Author Unknown, Kunst und Ingrastruktur, Neue Zürcher Zeitung, Germany, 03 December 2004

  • Antony Gormley, 'A critical faculty', The Guardian, London, England 1 December 2004

  • Louise Jury, 'How Antony Gormley made his 'Bed'', The Independent, London, England, 26 November 2004

  • Author Unknown, Metro, London, 26 November 2004

  • Bill Mouland, 'Who's for breakfast in bed?', Daily Mail, London, England, 26 November 2004

  • Luke Leitch and Chris Millar, 'Toast of the Tate', Evening Standard, London, England, 25 November 2004

  • Author Unknown, 'Fresh start for Gormley's bread', BBC News (news.bbc.co.uk), London, 25 November 2004

  • Marco Bascetta, 'L'incomiuto mosaico della moltitudine', Il Manifesto, Spain, 11 November 2004

  • Maev Kennedy, 'Artist's Old Bed at Tate', The Guardian, London, England, 6 November 2004

  • Nigel Reynolds, 'Artists to donate works to the Tate because gallery cannot afford them', The Daily Telegraph, London, England, 26 October 2004

  • Dalya Alberge, 'Hard-up Tate seeks state of the art donations from rich young artists', The Times, London, England, 26 October 2004

  • Maev Kennedy, 'Artists rally to Tate's cause by donating major works', The Guardian, London, England, 26 October 2004

  • Louise Jury, 'Freud and Hirst bail out cash-strapped Tate', The Independent, London, 26 October 2004

  • Joanna Pitman, 'Seeing the light', The Times, London, England, 12 October 2004

  • Vicki Laycock, 'Angels on our Sands', Crosby Herald, Liverpool, England, 23 September 2004

  • Catherine Jones, 'Beach Home for Iron Men', Liverpool Echo, Liverpool, England, 22 September 2004

  • Roger Phillips, 'Possible Sculpture for Waterloo Beach' (transcript), Roger Phillips Show, BBC Merseyside, England, 21 September 2004

  • Concha Pino, 'Asistimos al declive de Occidente y la vuelta a la epoca medieval', La Voz de Galecia Culturas, 18 September 2004

  • Author Unknown, 'Under The Rainbow, The Angel of the North gets a dramatic backdrop', The Guardian, London, England, 15 September 2004

  • Wiebke Hüster, 'Der Diskrete Charme von Lügengeschichten', Frankfurter Allgemeine Zeitung, Germany, 11 September 2004

  • Author Unknown, 'Inspired idea for our area', Crosby Herald, Liverpool, England, 9 September 2004

  • Author Unknown, 'A chance to be on cultural map', Crosby Herald, Liverpool, England, 2 September 2004

  • Edward Lucie-Smith, 'From Gaugin to Gormley: Perspective - With some reservations', Ceramic Review, issue 2009, September/October 2004

  • Michael Fitzgerald, 'Lonely Art Club', Time Australia, Sydney, Australia, 2 August 2004

  • Hans Pietsch, 'Aus dem Osten kommt die Kunst', Art das Kunstmagazin, no. 8, Hamburg, Germany, August 2004

  • Emma Crichton-Miller, 'Feats of clay', RA Magazine, London, England, Summer 2004

  • Tanya Harrod, 'Serious play's feat of clay', The Times Literary Supplement, London, England, 23 July 2004

  • Tracey Mullins, 'Alps plan is a real high flyer', The Newham Recorder, England, 14 July 2004

  • Elena Pita, 'La vanguardia gallega se reune en el CGAC', El Mundo, Madrid, Spain, 6 July 2004

  • Author Unknown, 'Cando a arte desborda', Galicia Hoxe, Spain, 26 June 2004

  • Christa d'Souza, 'The Art of being Louise MacBain', The Daily Telegraph, London, England, 26 June 2004

  • Jonathan Jones, 'Gone to pot', The Guardian, London, England, 5 June 2004

  • Emma Crichton-Miller, 'Clay makes a comeback', Prospect, London, England June 2004

  • Rob Gregory, 'Quantum Leap - David Chipperfield's studio for Antony Gormley', The Architectural Review no. 1288, London, June 2004

  • Author Unknown, 'Thousands flock to see sculpture at cathedral', Gloucester News, Gloucester, England, 27 May 2004

  • Richard Cork, 'Lost in Space', New Statesman, London, England, 17 May 2004

  • Vanessa Nicolson, 'Familiar but not Familiar', Weelden Arts Review, issue 10, 7 May 2004

  • Martin Coomer, 'Antony Gormley - White Cube', Time Out, London, England, 5 May 2004

  • Tanya Harrod, 'Hidden depths', Crafts Magazine, London, England, May/June 2004

  • Judit Solt, 'Kunstvoll Reduziert', Archithese, May 2004

  • Author Unknown, Antony Gormley, 'Stones of Inspiration', The British Museum Magazine, London, England, no. 48, Spring 2004

  • Godfrey Barker, 'Culture clash', Evening Standard Magazine, London, England, 30 April 2004

  • Fisun Güner, 'All this steel left me cold', Metro, London, England, 26 April 2004

  • Nick Hackworth, 'A sculptor who is on his mettle', Evening Standard, London, England, 22 April 2004

  • Amanda Levete, 'Antony Gormley - Artist whose work has dealt with ideas of the body for more than two decades', The Guardian, London, England, 22 April 2004

  • Paul Vallely, 'From Newcastle to eternity', The Independent Review, London, England, 20 April 2004

  • Richard Cork, 'Wired for vision', The Times, London, England, 17 April 2004

  • Charlotte Mullins, 'Gormley's out of body experience', Financial Times, London, England, 13 April 2004

  • Catherine Milner and Rajeev Syal, 'Royal Academy torn apart by feud at the top', The Sunday Telegraph, London, England, 11 April 2004

  • Natasha Walter, 'Sensation, but no feeling', The Guardian, London, England, 24 March 2004

  • Christine Verguson, What's in a landscape?, Bradford, England, 18 March 2004

  • Barrie Evans, 'Making space', Architect's Journal, London, England, 18 March 2004

  • Hugh Muir, 'Ken is one of us, say London artists', The Guardian, London, England, 11 March 2004

  • Kim Janssen, 'Through the keyhold of a creative furnace', Camden New Journal, London, England, 4 March 2004

  • Danielle Demetriou, 'Politicians with vision: How MPs and peers snapped their favourite places in Britain', The Independent, London, England, 1 March 2004

  • John Preston, 'Almost abstract friends', The Sunday Telegraph, London, England, 29 February 2004

  • Paula Lobo, 'Seres de sombra e claridade', dn, Portugal, 19 February 2004

  • John Docherty, 'Outstanding in his field…', The Hampshire Chronicle, England, 6 February 2004

  • Jane Ure-Smith, 'Thoroughly Modern Master', The Sunday Times Magazine, London, England, 1 February 2004

  • Anthony Gardner, 'Handle with Care', Culture, The Sunday Times, London, England, 31 January 2004

  • Louise Brown, 'Engel der Hoffnung', Deutsch, no. 8, Berlin, Germany, 2004

2003
  • Michael Glover, 'From Angels to Cybersculpture', The Independent Magazine, London, England, 19 December 2003

  • Louis Hellman, Weekly cartoon, the Architect's Journal, issue 21, vol. 218, London, England, 4 December 2003

  • Kieran Long, 'David Chipperfield's new studio for Antony Gormley', Icon magazine, London, England, December 2003

  • Charlotte Leouzon, 'Nirvanart', Jalouse, no. 66, Paris, France, December 2003/January 2004

  • Author Unknown, 'White and Beautiful', Building Design, Issue 1602, London, England, 14 November 2003

  • He Dajun, 'A dialogue with Earth', South China Airlines/Orient Aviation, November 2003

  • Antony Gormley, 'Heroes and Villains', The Independent Magazine, London, England, 4 October 2003

  • Leonor Nazaré, 'O centro de Arte Moderna', A Colecção de Arte Moderna da Gulbenkian, Lisbon, no.9, October/November 2003

  • Zi Jin, 'Antony Gormley: Asian Field', China Pictorial, China, October 2003

  • Alexander Marzahn, 'Menschenfluten, Entblössungen un massenhaft Privatheit', Basler Zeitung, Switzerland, 14 August 2003

  • Author Unknown, China Ethnic News, China, 5 August 2003

  • Author Unknown, China News Weekly, China, 4 August 2003

  • Geoffrey Rowell, 'Art comes from the same source as the need for religion', The Times, London, England, 2 August 2003

  • Author Unknown, Article in Art Observation, China, August 2003

  • Jamil Abbas, 'Antony Gormley', Le, China, August 2003

  • Jane Macnaughton, 'Domain Field, Antony Gormley', The British Journal of General Practice, England, August 2003

  • Author Unknown, 'Antony Gormley', Art and Leisure guide of the Economic Observer, China, 28 July 2003

  • Author Unknown, World New Journal, China, 28 July 2003

  • Author Unknown, Beijing Youth Daily, China, 27 July 2003

  • Chen Jie, 'Eyes of 160,000 figurines bring new visions', China Daily, China, 26 July 2003

  • Author Unknown, International Herald Leader, China, 25 July 2003

  • Author Unknown, China Times, China, 23 July 2003

  • Tom Rawstorne, 'Back in the old routine', The Daily Mail, London, England, 22 July 2003

  • Author Unknown, 'De Blairs in 'Asian Field'', NRC Handelsblad, Rotterdam, The Netherlands, 21 July 2003

  • Author Unknown, Financial Times, China, 19 July 2003

  • Marie Siani-Davies, Ta-NEA, Greece, 12-13 July 2003

  • Jo Lusby, 'Model Citizens', City Weekend, Beijing, China, 3 July 2003

  • Dixie Ching, 'Field of Vision', That's Beijing, China, July 2003

  • Hu Fang, 'Five days holiday from life', China Review, London, England, Summer 2003

  • Hans-Joachim Muller, 'Wie man den Erfolg bewirtschaftet', Basler Zeitung, Basel, Switzerland, 17 June 2003

  • Gail-Nina Anderson, 'Gorm 'n' Cast', The Crack, Newcastle, England, June 2003

  • Adrian Searle, 'Empty vessels', The Guardian, London, England, 29 May 2003

  • Charles Darwent, 'Portrait of the artist (and 250 locals)', The Independent on Sunday, London, England, 25 May 2003

  • Tom Lubbock, 'The space invader', The Independent Review, London, England, 20 May 2003

  • Rachael Ogden, 'Field trip's explosive quality', Metro, London, England, 20 May 2003

  • Adrian Searle, 'Empty Vessels', The Guardian, London, England, 20 May 2003

  • Sarah Leese, 'New Field of Art', The Evening Chronicle, Newcastle, England, 20 May 2003

  • Author Unknown, 'Domain Field: Your views', BBCi, London, England, 20 May 2003

  • Sam Wonfor, 'A cast of thousands', The Journal Newcastle, Newvcastle, England, 19 May 2003

  • Vicky Allan, 'The Tyne Machine', The Sunday Herald, England, 18 May 2003

  • Peter Conrad, 'They're petrified. I'm slightly puzzled', The Observer Review, London, England, 18 May 2003

  • David Whetstone, 'Domain Field in all its glory', The Journal, Newcastle, England, 17 May 2003

  • Robert Clark, 'Antony Gormley- Gateshead', Preview, The Guardian Guide, London, England, 17 May 2003

  • Amber Cowan, 'Antony Gormley', The Times, London, England, 17 May 2003

  • Helen Pickles, 'Out There', The Times: Weekend, London, England, 17 May 2003

  • Gavin Engelbrecht, 'A day in the life of a nude model', Northern Echo, England, 17 May 2003

  • Kate Rees, 'Gormley rules at the Baltic', Cumberland News, England, 16 May 2003

  • Author Unknown, 'Artist puts his army of ghostly Geordies on parade', The Daily Telegraph, London, England, 16 May 2003

  • Sarah Hemming, Art Review, The Daily Express, London, England, 16 May 2003

  • Nick Hackworth, 'Land of the giants', The Evening Standard, London, England, 16 May 2003

  • Peter Hetherington, 'Steel life- Gormley displays enigmatic new work', The Guardian, London, England, 16 May 2003

  • Terry Kirby, 'Gormley shows off his bodies of work in steel', The Independent, London, England, 16 May 2003

  • David Whetstone, B_Gormley Supplement, The Journal, Newcastle, England, 16 May 2003

  • Author Unknown, 'Lost in a room of spiky strangers', The Times, London, England, 16 May 2003

  • Rachael Ogden, 'Increasing awareness of your personal space', Metro, London, England, 13 May 2003

  • David Whetstone, 'A rock and an art place', The Journal, Newcastle, England, 10 May 2003

  • Ruth Wishart, 'Something to figure out', The Herald, Glasgow, Scotland, 8 May 2003

  • Author Unknown, 'Gormley unveils metal model nudes', BBC News Online, England, 5 May 2003

  • Ruth Skillbeck, 'Body of Work', Pol Oxygen, Issue 6, Australia, 2003 - 2004

  • Susie Burton, 'Local cast of hundreds', Accent Magazine, England, May 2003

  • Hilary Maddocks, 'Antony Gormley - Inside Australia: An installation at Lake Ballard, Menzies, Western Australia for the Perth International Arts Festival', Art Monthly, Australia, May 2003

  • Author Unknown, 'Gormley's Art Stars', Artist & Illustrators Magazine, England, May 2003

  • Jane Pikett, 'The Cast', North East Exclusive, England, May 2003

  • Author Unknown, 'Antony Gormley: domain field, allotment, fruit, etc - BALTIC, Gatershead', The Art Newspaper, England, May 2003

  • Martin Gayford, 'Mud upwards', Modern Painters, England, Spring 2003

  • Abigail Sanderson, 'The Best of Europe. Salzburg', The Independent Review, London, England, 17 April 2003

  • Mark Fisher, 'Sanctuary', The Guardian, London, England, 15 April 2003

  • Harriet Lane, 'A cast of Hundreds', The Observer Magazine, London, England, 13 April 2003

  • Moira Jeffrey, 'Living life outside the bubble', The Herald, Glasgow, Scotland, 11 April 2003

  • Alan Franks (interview), 'Meeting of Minds: Antony Gormley and Colin Renfrew, The Times Magazine, 5 April 2003

  • Chris Tighe, 'Plastered cast of 250, all in the name of art', The Financial Times, London, England, 2 April 2003

  • Finn Pedersen, 'Inside Australia: A remove Odyssey', Monument, Sydney, Australia, April/May 2003

  • Ina Cole, 'The Relationship between Thought and Matter. A Conversation with Antony Gormley', Sculpture, vol. 22 no.3, Washington, USA, April 2003

  • Jack Malvern, 'Chinese Field Trip in the heart of China', The Times, London, England, 26 March 2003

  • David Ward, '380,000 eyes fulfil a sculptor's vision', The Guardian, London, England, 25 March 2003

  • Helen Rumbelow, 'How I gave my body to art (and to Antony Gormley)', The Times, London, England, 15 March 2003

  • Richard Spencer, 'Viewfinder: Asian Field by Antony Gormley', The Daily Telegraph, London, England, 15 March 2003

  • Author Unknown, 'Cleaning the Cube', V Magazine, New York, USA, March/April 2003

  • Kay Hartenstein Saatchi, 'Into the Outback', Art Review, London, England, March 2003

  • Author Unknown, 'Asian Field of Antony Gormley', Art World, March 2003

  • Author Unknown, 'Why the long face?', The Guardian, London, England, 26 February 2003

  • Matthew Sweet, 'People's army', The Independent on Sunday, London, England, 23 February 2003

  • Paul Vallely, 'The model sculptor and angel of modern British art', The Independent, London, England, 22 February 2003

  • Jan Barrie, 'Sculptures in the desert: the hottest show around', The West Australian, Australia, 20 February 2003

  • Liz Hull, 'Artist with a nude model army', The Daily Mail, London, England, 19 February 2003

  • Ian Herbert, 'Naked, greased and plastered- a Geordie art form', The Independent, London, England, 19 February 2003

  • Paul Stokes, 'Artist puts 200 people in plaster', The Daily Telegraph, London, England, 19 February 2003

  • Author Unknown, 'Cast of characters', The Guardian, London, England, 19 February 2003

  • Phill Ward, 'Earth, wind and fire', The Financial Times, London, England, 19 February 2003

  • Coreena Ford, 'Naked Ambition', The Sunday Sun, Newcastle, England, 9 February 2003

  • Kirsty de Garis, '£25 Challenge in Newcastle', The Observer, London, England, 9 February 2003

  • David Whetstone, 'Gormley's bodies of art at the Baltic', The Journal, Newcastle, England, 8 February 2003

  • Author Unknown, 'Gormley's back', The Evening Chronicle, Newcastle, England, 8 February 2003

  • Victoria Laurie, 'Isolation through an outsider's eyes- go figure', The Australian, Sydney, Australia, 7 February 2003

  • Nicoletta Fustini, 'Antony Gormley: non solo scultura', Art and Job, anno.5, n. 05, 6 February 2003

  • Author Unknown, 'New public art project unveiled', The Evening Chronicle, Newcastle, England, 6 February 2003

  • Author Unknown, 'Gormley junior carves out sculptural niche…' ' … while Dad goes spare at the British Museum', Evening Standard, London, 4 February 2003

  • Simon Tait, 'Fug on the Tyne', The Independent Review, London, England, 3 February 2003

  • Nick Taylor, 'Steel booms in gold town', The Sunday Times, London, England, 2 February 2003

  • Trond Borgen, 'Mennesket: Alle tings malestokk', Kunst 2003:02 20, Oslo, Norway, February 2003

  • Author Unknown, 'Come and get plastered for posteriority', The Herald and Post, Gateshead, England, 1 February 2003

  • Martin Gayford, 'Cuerpo y Alma', Harper's Bazaar, Mexico, February 2003

  • Trond Borgen, 'Mennesket: Alle tings målestokk', Kunst, Feburary 2003

  • Author Unknown, 'Nude bid to get plastered', Barnsley Star, Barnsley, England, 29 January 2003

  • Author Unknown, 'Getting plastered', The Press and Journal, England, 29 January 2003

  • Author Unknown, 'Geordies getting plastered', Express and Star, Walsall, England, 29 January 2003

  • Peter Hetherington, 'Wanted: 240 model Geordies for Gormley', The Guardian, London, England, 28 January 2003

  • Paul Stokes, 'Creator of the Angel is now a wrap artist', The Daily Telegraph, London, England, 28 January 2003

  • Author Unknown, 'Have you got naked ambition?', The Gazette, South Shields, England, 27 January 2003

  • Richard Brooks, 'Culture Column', The Sunday Times, London, England, 26 January 2003

  • Author Unknown, 'Sculptor's cast of hundreds', The Northern Echo, Durham, 25 January 2003

  • Author Unknown, 'Call to be naked in the name of art', Evening Chronicle, Newcastle, England, 25 January 2003

  • Michael Spens, 'Antony Gormley: Field for the British Isles', Studio International, 22 January 2003

  • Author Unknown, 'Naked Ambition', The Journal, Newcastle, England, 18 January 2003

  • Author Unknown, 'Artist turns to China for clay army', BBC News Online, England, 17 January 2003

  • Louise Jury, 'Gormley takes his terracotta army to China', The Independent, London, England, 17 January 2003

  • Lyndall Crisp, 'Divide and conquer', The Australian Financial Review, Australia, 16 January 2003

  • G2 Cover, The Guardian, London, England, 8 January 2003

  • Author Unknown, 'In the bleak midwinter…', The Sunday Times, London, England, 5 January 2003

  • Ron Banks, 'Bold hands shape desert people', The West Australian Saturday, Australia, 4 January 2003

  • Victoria Laurie, 'Strange fruit', The Weekend Australian, Sydney, Australia, 4 - 5 January 2003
  • Author Unknown, 'The Perth International Festival', High Life, British Airways, January 2003

  • Nick Dent, 'Cultural Desert', Black+White, 64, January 2003

2002
  • Helen Musa, 'Stick figures stand out starkly in a bare, salty landscape', Panorama, The Canberra Times, 28 December 2002

  • Alan Buckley-Carr, 'Body-based sculptures have thin old time', The West Australian, Perth, Australia, 20 December 2002

  • Alan Buckley-Carr, 'Artist sees beauty in forgotten landscape: Arts festival first for Fields', Kalgoorlie Miner, Australia, 20 December 2002

  • Jim Healey, 'Fielding questions', What's on in London, London, England, 18 December 2002

  • Author Unknown, 'Way out there…', The Sydney Morning Herald, Sydney, Australia, 16 December 2002

  • Suzanne Brown, 'Arts/ Perth Festival', Qantas, The Australian Way, Australia, December 2002

  • Patrick Pittman, 'Inside Australia', Scoop, Australia, December 2002

  • Author Unknown, 'Antony Gormley: Drawing, Introduction by Anna Moszynska', Modern Painters, England, December 2002

  • Keith Patrick, 'Antony Gormley: Drawing, Introduction by Anna Moszynska', Contemporary Magazine, December 2002

  • Author Unknown, 'The 50 best books this Christmas- 6 Drawing', The Independent, London, England, 30 November 2002

  • Rosalyn Payne, 'A prized field', Southwark News, London, England, 28 November 2002

  • Author Unknown, 'Nudes will be baring everything at the Baltic', Herald and Post, Gateshead, 27 November 2002

  • Sarah Kent, 'Antony Gormley- British Museum', Art Reviews, Time Out, London, England, 27 November 2002

  • William Packer, 'Obvious message of pious hope', Financial Times, London, 26 November 2002

  • Nick Taylor, 'Art takes some stick', The Sunday Times, Australia, 24 November 2002

  • Author Unknown, 'A bummer from the Angel artist', The Sunderland Echo, Sunderland, England, 22 November 2002

  • Gordon Barr, 'Angel Artist's naked ambition exposed', Evening Chronicle, Newcastle, England, 21 November 2002

  • Jonathan Jones, 'Me, me, me', The Guardian, London, England, 20 November 2002

  • Peter Chapman, 'Antony Gormley Drawing', The Independent, London, England, 16 November 2002

  • Andrew Shipp, 'Body of work for lake', The West Australian, Australia, 16 November 2002

  • Fisun Güner, 'A keen eye for figures', Metro Life, London, England, 15 November 2002

  • Anthony Bright, 'Artist's army', What's on in London, London, England, 13 November 2002

  • Author Unknown, 'China clay project for Angel artist', BBC News Online, England, 13 November 2002

  • Emma Perry, 'Angel Poise', Time Out, London, England, 13 November 2002

  • Andy Paradise, 'Antony Gormley's terracotta army to invade British Museum', The Independent, London, England, 11 November 2002

  • Athalie Matthews, 'Clay army occupies the British Museum', The Daily Telegraph, London, England, 11 November 2002

  • Jane Albert, 'Arts Festivals Go Bush', The Australian, Sydney, Australia, 8 November 2002

  • Ali Hussaain, 'Antony Gormley: Field for the British Isles', India Weekly, 8 November 2002

  • Elene Fierli, 'Installazione nella torre dell'acqua', Area, Milan, Italy, November/December 2002

  • Sholto Byrnes, 'Antony's Angel has turned into an albatross', The Independent, London, England, 1 November 2002

  • Paul Clements, 'Body of evidence', High Life, British Airways Inflight Magazine, England, November 2002

  • Author Unknown, 'L'invasione degli omini d'argilla. British Museum', Vernissage, no. 32, November 2002

  • Tom Lubbock, 'Sacred and profane', The Independent Review, London, England, 26 November 2002

  • Janet MacKenzie, 'Antony Gormley Drawing', Studio International, October 2002

  • Matthew Sweet, 'Antony Gormley: His next big thing', The Independent Magazine, The Independent, London, England, 19 October 2002

  • Martin Gayford, Body and Soul, Harpers and Queen, London, England, 14 October 2002

  • Christopher Middleton, 'The beautification of Bellenden', Telegraph, London, England, 12 October 2002

  • Heather Neill, 'Meeting Mr. Angel', Times Educational Supplement, London, England, 4 October 2002

  • Colin Brennan, 'Expert's experts: Antony Gormley', Financial Times Magazine, London, England, 21 September 2002

  • Author Unknown, 'Angel's eyes on the young', Herald and Post Gateshead, Gateshead, Newcastle, England, 18 September 2002

  • Author Unknown, 'Angel artist heads North', Sunderland Echo, Sunderland, England, 17 September 2002

  • Author Unknown, 'Artist lends hand to talent project', The Northern Echo, South West Durham, England, 16 September 2002

  • Linda Richards, 'Little Angels', Evening Chronicle, Newcastle, England, 16 September 2002

  • Author Unknown, 'Angel Sculptor takes new art role', BBCNews, 15 September 2002

  • Caitlin van Dusen, 'The Other Side of Appearance', Tricycle the Buddhist Review, New York, USA, Fall 2002

  • Colin Renfrew, 'Antony Gormley: Making contact', British Museum Magazine, no. 44, London, England, Autumn 2002

  • Luke Leitch, 'Angel of the North sculptor finally brings his art South', The Evening Standard, London, England, 18 July 2002

  • Alan Jackson, 'Cold call: Antony Gormley', The Times, London, England, 13 July 2002

  • Victoria Laurie, 'Salts of the earth in 3-D', The Australian, Sydney, Australia, 5 July 2002

  • Cahal Milmo, 'Space found for Gormley's Stone Planets after 15 years', The Independent, London, England, 1 July 2002

  • Maev Kennedy, 'Library booked: Sculpture arrives 15 years late', The Guardian, London, England, 1 July 2002

  • Alberto Ruiz de Samaniego, 'Gormley ou a ansia de lugar', A revista do CGAC, Spain, July- December 2002

  • Jonathan Jones, 'They might be giants', The Guardian, London, England, 3 May 2002

  • A meeting with Iwona Blazwick, Cinzia Fratucello, Antony Gormley and Cornelia Parker, Perche/? n.3, Milan, May 2002

  • Author Unknown, 'Answer the Questions! Antony Gormley: To Gateshead via the 16th Century', The Independent on Sunday, London, England, 17 March 2002

  • Stefano de Stefano, 'Gormley: Il mio principe di Sansevero', Corriere del Mezzogiorno, Naples, Italy, 14 March 2002

  • Author Unknown, 'Asian Field', Anjia no.32, Shanghai, China, March 2003

  • Jan Dalley, 'All that is solid melts into air', The Financial Times Weekend, London, England, 9 - 10 February 2002

  • Martin Gayford, 'Thought-provoking body of work', The Daily Telegraph, London, England, 23 January 2002
  • Enrique Juncosa, 'Silencio e quietude. Unhan conversacion con Antony Gormley', January - June 2002

  • Marianne O'Kane, 'Antony Gormley', Contemporary, London, England, January 2002

2001
  • Rose Aidin, 'Where art is simply child's play', The Times, London, England, 5 December 2001

  • Stuart Jeffries, 'He made looking at art an adventure', The Guardian, London, 6 November 2001

  • Ian Tromp, 'Antony Gormley, New Art Centre Sculpture Park and Gallery', Sculpture, Washington, USA, Vol. 20, No. 8, October 2001

  • Rob Gregory, 'They say that size isn't everything', The Independent, London, England, 22 September 2001

  • Rose Aidin, 'School of hard shocks', The Times, London, England, 19 September 2001

  • Antony Gormley, Gavin Turk, Cathy de Monchaux and Angus Fairhurst, 'Exquisite corpse', Tate Magazine, London, England, Autumn 2001

  • Louise Jury, 'Gormley strikes twice in Yorkshire park', The Independent, London, England, 8 August 2001

  • Angela Wellington, 'Gallery in the sticks', The West Australian, Osborne Park, Australia, 20 July 2002

  • Michael Glover, 'Cornwall's out-of-body experience', The Independent, London, England, 26 June 2001

  • Louise Jury, 'Leading British artists to give run-down areas of Peckham an overdue facelift', The Independent, London, England, 21 June 2001

  • Alex O'Connell, 'The Body in Question', The Times, London, England, 18 June 2001

  • Will Self, 'One in a million', The Independent on Sunday, London, England, 17 June 2001

  • Deborah Ross, 'A sculptor with his significant body of work', The Independent, London, England, 28 May 2001

  • Philip Watson, 'Relative Values: Antony and Brendan Gormley', The Sunday Times Magazine, London, England, 6 May 2001

  • Jan Goodey, 'Body of Work', The Insight, Brighton, England, May 2001

  • Author Unknown, 'What's art for?', UCL People, University of London, London, England, Spring 2001

  • Author Unknown, 'Man in de put', SMAAK Magazine, The Hague, Netherlands, April 2001

  • Dee O'Connell, 'Dream Teams', The Observer Magazine, London, England, 18 March 2001

  • Ina Weinrautner, 'Auf in de Zimmerstrasse', Handelsblatt, Berlin, Germany, 17 March 2001

  • Simon Tait, 'The ultimate street cred', Evening Standard, London, England, 9 March 2001

  • Lara Grieve, 'Artists in Profile: Antony Gormley', BBC Online, March 2001

  • Christopher Gunness, 'Why the body needs to be set in stone', The Independent on Sunday, London, England, 25 February 2001

  • Richard Cork, 'Art: body builder', The Times, London, England, 10 February 2001

  • Author Unknown, 'Wonder: National Theatre, Blunder: Charing Cross Station', The Guardian, London, England, 5 February 2001

  • Louise Baring, 'Ein Jahr in Meer', Vogue, Berlin, Germany, February 2001

  • Ronald Berg, 'Free Thinker and Solo Dancer: Antony Gormley in the new Art Quarter at Zimmerstrasse', Der Tagesspiegel, Berlin, Germany, 27 January 2001

  • 'Antony Gormley: My Cultural Life', The Times, London, England, 20 January 2001

  • Henning L. Mortensen, 'Et speil for virkeligheten', Vi Ser Pa Kunst, Oslo, Nr 2-2001

  • Martin Herbert, 'Antony Gormley, White Cube2, London', tema celeste contemporary art, Milan, Italy, January – February 2001

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