I wanted to make a bodywork that was a visual block - like a wall or a piece by Richard Serra. These sculptures are the final expression of the extended works.
CASES FOR ANGELS extend the body laterally, creating a strong horizon line that runs across the body separating head from breast.
The title A CASE FOR AN ANGEL is making a case for the imagination. The work is a barrier against which the visitor tests himself.
The relationship of work to room is important: the later double Angel cases installed together create an arena for the viewer.