Made during the late 1990s, these drawings involve the greatest range of media to date. I experimented with different types of varnish – polyurethane giving an opaque, whitish tint, and shellac (derived from the wing cases of beetles) creating a redder hue. Pigment is now rarely used on its own but where it was, as in Under My Skin, the figures are centred on the page, contrasting strongly with the white paper around them.
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