, 1995, cast iron, 196 × 48 × 35 cm. Permament installation, Jesus College, Cambridge, England. Photograph by Rod Mengham. 

Learning to See VI

, 2000, cast iron, 197 × 48 × 26 cm (each figure). Permanent installation, Caumont, Picardie, France.

Passage

A Sculpture for the Subjective Experience of Architecture, 

concrete, 68 m squared. Collaboration between Antony Gormley and David Chipperfield. Permanent installation, Kivik, Sweden. Commissioned by Kivik Art Centre, Kivik, Sweden. Photograph by Gerry Johansson.

A Sculpture for the Subjective Experience of Architecture

, 2002, glacial erratic boulders, dimensions variable. Permanent installation, The British Library, London, England. Photograph by Stephen White & Co.

Planets

, 2022, 360 mm weathering steel slab, 612 × 270 × 390 cm. Permanent installation, Imperial College London, England. Photograph by Stephen White & Co.

Alert

, 2005, cast iron, 193 × 48.5 × 37 cm. Permanent installation, The Roundhouse, London, England.

, 2021, cast iron, 196 × 77.5 × 18.5 cm. Collaboration between Antony Gormley and Simon Armitage. Permanent installation, Trinity College, University of Oxford, England. Photographs by Theo Christelis.

A Door for the Stuart Gates

Fai Spazio, Prendi Posto (Making Space, Taking Place)

, 2004, casting in spheroildal graphite iron from moulds of 6 inhabitants of Poggibonsi and 1 visitor. Permanent installation, Poggibonsi, Italy. Commissioned by Associazione Arte Continua for Arte ‘all Arte 9.

, 2008, cast iron, 191 × 59 × 36 cm. Permanent installation, Exeter College, Oxford, England. Photograph by Berman Guedes Stretton Architects.

Another Time XI

, 2008, 30 mm square section mild steel tube and 50 mm mild steel spheres, 560 × 1113 × 1970 cm. Permanent installation, Jupiter Artland, Edinburgh, Scotland. Photograph by Brian Fischbacher.

Firmament

, 2014, cast iron, 184 × 48 × 44 cm, edition of 5 plus 1 AP. Permanent installation, Avon River, Christchurch, New Zealand. Commissioned by the Christchurch City Council Public Art.

Stay

, 2015, variable square section stainless steel bar and 60 mm stainless steel balls, overall size: 1706 × 321 × 341 cm. Permanent installation, MIT, Cambridge, Massachusetts, USA. Photograph by Peter Vanderwarker.

Chord

, 1985, granite and bronze, 274 × 274 × 213 cm. Permanent installation, Maygrove Peace Park, London, England. Commission for Camden Council, Maygrove Peace Park, London, England.



Untitled [Listening]

, 2003, cast alloy of iron, molybdenum, iridium, vanadium and titanium, 51 elements based on 51 inhabitants of Menzies. Permanent installation, Lake Ballard, Menzies, Western Australia. Commission for 50th Perth International Arts Festival.

Inside Australia

, 2015, 6 mm Corten steel, 405 × 204 × 176 cm. Permanent installation, Holland Park School, London, England. Photograph by Ed Tyler.

Connect

, 1985, lead, plaster, fibreglass and air, standing figure: 185 × 190 × 35 cm. Permanent installation, Peterborough, England. Commissioned by the Peterborough Development Corporation, Peterborough, England. Photograph by David Lowndes.

Places to Be

, 2020, cast iron, 172.5 × 48.5 × 33 cm. Permanent installation, Taikoo Place, Hong Kong. Photograph by Vincent Tsang.

Shelf II

, 2021, cast iron, 187 × 45.4 × 34.9. Permanent installation, Ecole du Louvre, Paris, France. Photograph by Majid Boustany.

Witness VII

, 1993, lead, fibreglass, plaster and air, 197 × 53 × 36 cm and 

, 1997, cast iron and steel, 195 × 48 × 30 cm. Installation view, Schenkung Sammlung Hoffmann, Staatliche Kunstsammlungen Dresden. Photographs by Klemens Renner.

Learning to See III and Under My Skin

, 2010, iron nails, 210 × 63 × 43 cm. Permanent installation, Canterbury Cathedral, Canterbury, England. Photograph by Jason Dodd.

Transport

, 1998, steel, 22 × 54 × 2.2 m. Permanent installation, Gateshead, England. Commissioned by Gateshead Metropolitan Borough Council, Gateshead, England. Photograph by Colin Cuthbert, Newcastle.

Angel of the North

, 1987-88, iron and air, 193 × 63 × 40 cm. Permanent installation, Martinsplatz, Kassel, Germany.

Out of the Dark

, 2014, cast iron, 189 × 38 × 48 cm, edition of 5 plus 1AP. Permanent installation, Saddell Bay, Mull of Kintyre, Scotland. Photograph by Clare Richardson.

Grip

, 2010, cast iron, six body-forms, each 191 × 56 × 36 cm. Permanent installation, Water of Leith, Edinburgh, Scotland. Commissioned by the National Galleries of Scotland, with support from the Art Fund, The Calouse Gulbenkian Foundation, The Patrons of the National Galleries of Scotland, Claire Enders and The Henry.

6 Times

, 2009, 8 mm polypropylene cord, 6 mm and 8 mm polypropylene/rubber bungee cord and steel fixings. Permanent installation, 913 Futatsuya, Tokamachi City, Niigata Prefecture, Japan. Photograph by Takenori Miyamoto & Hiromi Seno.

Another Singularity (Japan)

, 2008, reinforced concrete, 300 life-size elements derived from the dimensions of local inhabitants of Monterrey, N. L., Mexico. Permanent installation, University of Monterrey, Mexico. Photograph by Gabriela Guajardo.

Allotment III

, 2006, cast iron, seven body-forms, each: 189 × 53 × 29 cm. Permanent installation, International Sculpture Park, Catanzaro, Calabria, Italy. 

Seven Times

, 2021, cast iron, 187 × 45.2 × 33 cm. Permanent installation, Ecole du Louvre, Paris, France. Photograph by Majid Boustany.

Witness VIII

, 1998, cast iron, 498 × 380 × 340 cm. Permanent installation, Parque Das Nacoes, Lisbon, Portugal. Photograph by António Pinto, Póvoa de Varzim, Portugal.

Rhizome II

, 2014, cast iron, 871.5 × 339.5 × 367.8 cm. Permanent installation, Erzdiozese Munchen, Munich, Germany. Photograph by Markus Tretter.

Mark II

, 1993, iron, 666 × 185 × 115 cm. Permanent installation, Victoria Square, Birmingham, England. Photograph by Stephen White & Co.

Iron:Man

, 1991/94, iron and concrete, figure: 48 × 92 × 59 cm. Permanent installation, Place Jean Monnet, Ville de Rennes, France.

Open Space

, 2010, galvanised steel, 25.64 × 13.25 × 18.47 m. The 6th Flevoland Landscape Artwork. Permanent installation, Lelystad, the Netherlands. Photograph by Allard Bovenberg.

Exposure

, 2012, 40 mm square stainless steel box section and 65 mm stainless steel ball bearings, 310 × 2970 × 4460 cm. Permanent installation, French National Archives, Paris, France. Photograph by Philippe Servent.

Cloud Chain

, 1997, cast iron, 245 × 98 × 83 cm. Permanent installation, Tongyeong City, South Korea. Photograph by Stephen White & Co. 

Bearing III

, 2002, cast iron, 194 × 44 × 40 cm. Permanent installation, Izumi City Plaza, Osaka, Japan.

Here and There

, 2001, cast iron, 188 × 84 × 33 cm. Permanent installation, Wellcome Collection, London, England. Photograph by Wellcome Images.

Feel

, 2001, cast iron, 193 × 47.5 × 32 cm. Permanent installation, Municipality of Höganäs, Sweden. 

Here and Here

, 2000, cast iron, 1450 × 48 × 70 cm. Permanent installation, Garden City, Osaka, Japan. Photograph by O. Murai, Japan.

Mind-Body Column

, 2012, cast iron, 192 × 56 × 28 cm. Permanent installation, Limehouse Reach, London, England. Photograph by Max Creasy.

Another Time XVI

, 2024, andesite stone, 59 × 107 × 55 cm. Commissioned by Echigo-Tsumari Art Triennale 2024. Photograph by Hashimoto Takao.

Man:Rock V

, 1994, granite, 10.1 × 3 × 1.90 m. Permanent installation, Mo i Rana, Norway.

Havmann

, 2001, cast iron, two body-forms, each: 191 × 68 × 37 cm. Permanent installation, Regent’s Place, London, England. Commissioned by the British Land Company PLC for Regent’s Place, Euston Road, London, England.Photograph by Stephen White, London.

Reflection

, 2004, variable stainless steel blocks, 202 × 51 × 50 cm. Permanent installation, Heart Science Centre, Harefield, England.

Making Space

, 1997, cast iron, 100 elements, each 189 × 53 × 29 cm. Permanent installation, Crosby Beach, Merseyside, England. Photograph by Stephen White, London.

Another Place

, 2014, cast iron, 184 × 48 × 44 cm, edition of 5 plus 1 AP. Permanent installation, Arts Centre, Christchurch, New Zealand. Commissioned by the Christchurch City Council Public Art.

, 2008, mild steel ball bearings, dimensions variable. Permanent installation, Lilllehammer, Norway.

Standing Matter XVII

, 2002, cast iron, 195 × 57 × 42 cm. Permanent installation, McDonald Institute for Archaeological Research, Cambridge, England.

Plant

, 2001, cast iron, five body-forms, each: 189 × 53 × 29 cm. Permanent installation, Dorotheenblocke, Berlin, Germany. Commission for the Jakob-Kaiser-Haus, Dorotheenblocke, Berlin, Germany.

Steht Und Fällt

, 2013, cast iron, 191 × 58 × 35 cm. Permanent installation, Kunisaki Peninsula, Japan. Photograph by Takashi Kubo. © Kunisaki Art Festival Committee.

Another Time XX

, 2019, cast iron, 149.2 × 45.2 × 74 cm. Archaeological Museum of Delos (donation of NEON organisation and artist Antony Gormley). Photograph © Maria Maraki.

Rule II

, 2014, external skin: 8 mm mill finish stainless steel, internal cladding: 20 mm fumed oak with 130 mm foam and plywood insulation, 1006 x 650 × 790 cm. Permanent installation, Beaumont Hotel, London, England. Photograph by Stephen White & Co.

Room

, 2017, cast iron, 373.3 × 89.9 × 63 cm. Permanent installation, West Hoe Pier, Plymouth, England. Commissioned by The Box and Plymouth City Council.

Look II

, collaboration with Tadao Ando, 2025, Museum SAN, Wonju, South Korea. Photograph by Jaewon Choi. Courtesy Museum SAN.

Ground

, 2000, galvanised steel, 29 × 16 × 10 m. Permanent Installation. River Thames, Greenwich Peninsula, London, England. Photograph by Stephen White, London.

Quantum Cloud

, 2003, cast iron, 23 body-forms, each: 197 × 48 × 26 cm. Permanent installation, Tifluktsrom, Stavanger, Norway. Commission for City of Stavanger, Norway. Photograph by Dag Mirestrand.

Broken Column

, 2000, steel, six chairs, Permanent installation, Oslo, Norway. Photograph by Signe M. Andersen.

Place of Remembrance

, 2009, 12.7 mm square section stainless steel bar and 32 mm diameter stainless steel ball bearings, 2300 × 3960 × 1460 cm. Permanent Installation, Marina Bay Sands, Singapore. Commissioned by Moshe Safdie on behalf of Marina Bay Sands. Photograph by Han.

Drift

, 2024, 140 mm weathering steel slab, 366.8 × 76 × 78.4 cm. Permanent installation, King’s College Cambridge, England. Photograph by Jo Underhill.

True, for Alan Turing

, 1983, Portland stone, 203 × 50 × 15 cm. Permanent installation, Tout Quarry Sculpture Park, Dorset, England.

Still Falling

, 1979-81, granite boulder and bronze, each boulder approximately: 274 × 152.5 cm. Permanent installation, Kent History and Library Centre, Maidstone, England. Commissioned by Kent County Council and The Arts Council England.

Two Stones

, 1986, lead, fibreglass and water, 188 × 60 × 45 cm. Permanent installation, Winchester Cathedral, Winchester, England. Photograph by Louis Bustamante.


Sound II

, 1987, cast iron, three double figures: each 196 × 193 × 54 cm. Installation view, St Augustine’s and Bogside, Derry, Northern Ireland. Permanent installation. East Wall, Derry, Northern Ireland.

Sculpture for Derry Walls

, 2008, cast iron, 191 × 59 × 36 cm. Permanent installation, Maggie’s Centre, Dundee, Scotland. Photograph by Keith Hunter.

Another Time X

, 2011, cast iron, 102 × 51 × 76.5 cm. Permanent installation, British Library, London, England. Photograph by Stephen White, London.

Witness

, 2010, cast iron, 191 × 42 × 39 cm. Permanent installation, Kirklees College, Dewsbury, England. Photograph by Stewart Jackson.

Work

, 2010, 6.5 mm stainless steel sheet, 740 × 255 × 356 cm. Permanent installation, Anchorage, Alaska, USA. Commissioned by the Municipality of Anchorage, Alaska, USA. Photograph by Chris Arend.

Habitat

, 2020, cast iron, 190.3 × 70.7 × 51 cm. Permanent installation, La Grave, La Meije, France. Commissioned by, and image courtesy of, the Van Zundert family and VZW BRUUUR. 

Site

, 2014, cast iron, 76 × 43 × 55.5 cm. Permanent installation, Erzdiozese Munchen, Munich, Germany. Photograph by Markus Tretter.

Permanent Sculpture Map