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Layers of carbon and casein wash build fractal planes that converge space, light and volume, evoking the interiors of my earlier sculptures Model (2012) and Cave (2019) which render the body as an enterable building and invite visitors to feel their way through an interplay of darkness and indirect illumination. This experience that asks the human body to sense space is suggested in the ‘Lux’ drawings, where light penetrates darkness, guiding the eye towards apertures in labyrinthine, almost subterranean spaces.

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